Happy 2007!

May 2007 be better than 2006.

Nothing says it as good as the traditional --

Auld Lang Syne

by Robert Burns

1788

Should auld acquaintance be forgot,
And never brought to mind?
Should auld acquaintance be forgot,
And auld lang syne!

Chorus.-For auld lang syne, my dear,
For auld lang syne.
We'll tak a cup o' kindness yet,
For auld lang syne.

And surely ye'll be your pint stowp!
And surely I'll be mine!
And we'll tak a cup o'kindness yet,
For auld lang syne.

Chorus --

We twa hae run about the braes,
And pou'd the gowans fine;
But we've wander'd mony a weary fit,
Sin' auld lang syne.

Chorus --

We twa hae paidl'd in the burn,
Frae morning sun till dine;
But seas between us braid hae roar'd
Sin' auld lang syne.

Chorus --

And there's a hand, my trusty fere!
And gie's a hand o' thine!
And we'll tak a right gude-willie waught,
For auld lang syne.

Chorus --

Christmas Ghosts

When I was a child I loved the story of the Nativity. Observant, if not devout, Catholics, we always had a crèche under the Christmas tree. I remember most of the words to the carols we sang with the choir. My favorite carol O Holy Night, closely followed by O Come, O Come Emmanuel, represents a time that no longer exists.

These days I neither believe nor doubt. But I like to think, as I did when young, that there is one night filled with Peace on Earth and Good Will Toward Men.


I wrote Joseph's Lament because I felt he was usually the forgotten one in the story. It was published in The Poet's Pen in 1993.




Joseph's Lament

What meager harvest do I reap?
This fragile infant, now asleep,
a sickly child, so small and wan,
I doubt he'll live to see the dawn.
Born in darkness, much too soon
after the solstice marks the ruin
of winter. Born in darkness vast
when harvest days are well long past.

The Son of God? I hear no mirth,
no angel choirs announce this birth.
There is no music at this show,
only bitter winds that blow.
The Son of God? So weak and pale.
Would He not sire one more hale?
A fitting child of robust mold,
a child of beauty to behold?


Would not God's Son be born in spring
in a palace grand as befits a king?
Not in this dank stable stall
where winds seep through cracks in the wall,
attended by one sad-eyed cow.
No miracle, this, for I see now
the child was born in a mortal vein,
brought his mother suffering and pain.

They say a humble man am I,
what piety, what faith I ply.
I'm not a beggar, not blind, nor lame.
I seek not riches, gold, nor fame,
and so I've never asked for such.
My simple life has pleased me much.
Humble I am, but not a fool.
Must my faith be stretched so cruel?

Without a moon or stars to mark
the way, I stumble in the dark
and wrestle with impious doubt,
praying my Lord will bear me out.
Am I now punished for my false pride?
Did I raise myself above the tide
with arrogant thoughts that I was the one
chosen by God to foster his Son?

What now? Who are these simple folks?
They have no shoes, no hats, no cloaks.
Have forces strange drawn shepherds poor
down from the hills to the stable door
where Mary and her son both lie?
More likely they are as cold as I.
They do not speak, and yet I sense
their awe-struck, wondering eloquence.

Now, mysteriously, stars appear
as if the hand of God were near.
But no. My mind is playing tricks.
'Tis foolishness, and yet, it sticks.
The stable bathes in silver light,
even within the dark takes flight.
The shadows have dispersed, and all
the shepherds to their knees do fall.

The infant wakes and this sweet haze
reveals his fairness to my gaze.
He cannot see me, this I know,
and yet his eyes hold mine, and glow.
He lifts his hand, a hand so small
which soon will hold the world in thrall.
Compelled, I lightly touch his face,
and feel his wondrous strength and grace.

Amazed, I look upon my wife.
She smiles. She knows that this small life
will someday save mankind from doom.
My soul does like a flower bloom
and I must brush my tears away,
knowing He must die one day.
The sun now heralds a bright new morn.
Behold! The Son of God is born.



--© Cat Dubie -- 2006

Dec. 13 - Heinrich Heine

Painting by Moritz Daniel Oppenheim

Christian Johann Heinrich Heine (born Chaim Harry Heine)
December 13, 1797 – February 17, 1856

Heinrich Heine, of Jewish origin, was one of the most significant of the German poets. His lyrics inspired such composers as Mendelssohn, Schubert, and Schumann, and his poem 'Die Lorelei', set to music in 1837, has become a lastingly popular German song.

One of his most famous quotes, though it originally referred to the Spanish Inquisition, proved prophetic regarding events more than 100 years after his death:

Where they have burned books, they will end in burning human beings.
(Dort, wo man Bücher verbrennt, verbrennt man am Ende auch Menschen)
Heinrich Heine, From his play Almansor (1821)


Some works by Heinrich Heine


Death and his Brother Sleep (‘Morphine’)

There’s a mirror likeness between those two
shining, youthfully-fledged figures, though
one seems paler than the other and more austere,
I might even say more perfect, more distinguished,
than he, who would take me confidingly in his arms –
how soft then and loving his smile, how blessed his glance!
Then, it might well have been that his wreath
of white poppies gently touched my forehead, at times,
and drove the pain from my mind with its strange scent.
But that is transient. I can only, now, be well,
when the other one, so serious and pale,
the older brother, lowers his dark torch. –
Sleep is so good, Death is better, yet
surely never to have been born is best.


A Palm-tree

A single fir-tree, lonely,
on a northern mountain height,
sleeps in a white blanket,
draped in snow and ice.

His dreams are of a palm-tree,
who, far in eastern lands,
weeps, all alone and silent,
among the burning sands.


The Old Dream Comes Again to Me

The old dream comes again to me:
With May-night stars above,
We two sat under the linden-tree
And swore eternal love.

Again and again we plighted troth,
We chattered, and laughed, and kissed;
To make me well remember my oath
You gave me a bite on the wrist.

O darling with the eyes serene,
And with the teeth so white!
The vows were proper to the scene,
Superfluous was the bite.


Prologue

Good-Fortune is a giddy maid,
Fickle and restless as a fawn;
She smoothes your hair; and then the jade
Kisses you quickly, and is gone.

But Madam Sorrow scorns all this,
She shows no eagerness for flitting;
But, with a long and fervent kiss,
Sits by your bed—and brings her knitting.


The Voyage

As at times a moonbeam pierces
Through the thickest cloudy rack,
So to me, through days so dreary,
One bright image struggles back.

Seated all on deck, we floated
Down the Rhine's majestic stream;
On its borders, summer-laden,
Slept the peaceful evening-gleam.

Brooding, at the feet I laid me
Of a fair and gentle one,
On whose placid, pallid features
Played the ruddy-golden sun.

Lutes were ringing, youths were singing,
Swelled my heart with feeling strange;
Bluer grew the heaven above us,
Wider grew the spirit's range.

Fairy-like beside us flitted
Rock and ruin, wood and plain ;
And I gazed on all reflected
In my loved one's eyes again.


Where?

Where shall I, of wandering weary,
Find my resting-place at last?
Under drooping southern palm-trees?
Under limes the Rhine sweeps past?

Will it be in deserts lonely,
Dug by unfamiliar hands?
Shall I slumber where the ocean
Crawls along the yellow sands?

It matters not! Around me ever
There as here God's heaven lies,
And by night, as death-lamps o'er me,
Lo, His stars sweep through the skies!


The Lorelei (Die Lorelei - translated by A Z Foreman)

I know not if there is a reason
Why I am so sad at heart.
A legend of bygone ages
Haunts me and will not depart.

The air is cool under nightfall.
The calm Rhine courses its way.
The peak of the mountain is sparkling
With evening's final ray.

The fairest of maidens is sitting
Unwittingly wondrous up there,
Her golden jewels are shining,
She's combing her golden hair.

The comb she holds is golden,
She sings a song as well
Whose melody binds an enthralling
And overpowering spell.

In his little boat, the boatman
Is seized with a savage woe,
He'd rather look up at the mountain
Than down at the rocks below.

I think that the waves will devour
The boatman and boat as one;
And this by her song's sheer power
Fair Lorelei has done.

Original:

Ich weiß nicht, was soll es bedeuten,
Daß ich so traurig bin;
Ein Märchen aus alten Zeiten,
Das kommt mir nicht aus dem Sinn.

Die Luft ist kühl, und es dunkelt,
Und ruhig fließt der Rhein;
Der Gipfel des Berges funkelt
In Abendsonnenschein.

Die schönste Jungfrau sitzet
Dort oben wunderbar,
Ihr goldenes Geschmeide blitzet,
Sie kämmt ihr goldenes Haar.

Sie kämmt es mit goldenem Kamme
Und singt ein Lied dabei;
Das hat eine wundersame,
Gewaltige Melodei.

Den Schiffer im kleinen Schiffe
Ergreift es mit wildem Weh;
Er schaut nicht die Felsenriffe,
Er schaut nur hinauf in die Höh'.

Ich glaube, die Wellen verschlingen
Am Ende Schiffer und Kahn;
Und das hat mit ihrem Singen
Die Lorelei getan.

--Cat

Nov. 28 - William Blake

William Blake (November 28, 1757–August 12, 1827) was an English poet, painter, and engraver. Largely unrecognised during his lifetime, his works of poetry and art are today considered significant contributions in their fields. Often noted a the most spiritual writer of his time, he was fascinated by mysticism and influenced by the emerging Romantic movement. Though hostile to the church, he had affection for the New Testament of the Bible.

During the 1780s he associated with intellectual dissidents: philosophers, writers, scientists, feminists. Blake supported the American and, initially, the French revolutions. He abhorred slavery and believed in racial and sexual equality. Several of his poems and paintings express a notion of universal humanity.

~

How many of us as students learned the following:

The Tyger

Tyger Tyger. burning bright,
In the forests of the night;
What immortal hand or eye.
Could frame thy fearful symmetry?

In what distant deeps or skies.
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand, dare seize the fire?

And what shoulder, & what art,
Could twist the sinews of thy heart?
And when thy heart began to beat.
What dread hand? & what dread feet?

What the hammer? what the chain,
In what furnace was thy brain?
What the anvil? what dread grasp.
Dare its deadly terrors clasp?

When the stars threw down their spears
And watered heaven with their tears:
Did he smile His work to see?
Did he who made the lamb make thee?

Tyger Tyger burning bright,
In the forests of the night:
What immortal hand or eye,
Dare frame thy fearful symmetry?


~

I add this intriguing work, of which lines have often been quoted:


Auguries Of Innocence

To see a world in a grain of sand
And a heaven in a wild flower,
Hold infinity in the palm of your hand
And eternity in an hour.
A robin redbreast in a cage
Puts all heaven in a rage.
A dove-house filled with doves and pigeons
Shudders hell through all its regions.
A dog starved at his master's gate
Predicts the ruin of the state.
A horse misused upon the road
Calls to heaven for human blood.
Each outcry of the hunted hare
A fibre from the brain does tear.
A skylark wounded in the wing,
A cherubim does cease to sing.
The game-cock clipped and armed for fight
Does the rising sun affright.
Every wolf's and lion's howl
Raises from hell a human soul.
The wild deer wandering here and there
Keeps the human soul from care.
The lamb misused breeds public strife,
And yet forgives the butcher's knife.
The bat that flits at close of eve
Has left the brain that won't believe.
The owl that calls upon the night
Speaks the unbeliever's fright.
He who shall hurt the little wren
Shall never be beloved by men.
He who the ox to wrath has moved
Shall never be by woman loved.
The wanton boy that kills the fly
Shall feel the spider's enmity.
He who torments the chafer's sprite
Weaves a bower in endless night.
The caterpillar on the leaf
Repeats to thee thy mother's grief.
Kill not the moth nor butterfly,
For the Last Judgment draweth nigh.
He who shall train the horse to war
Shall never pass the polar bar.
The beggar's dog and widow's cat,
Feed them, and thou wilt grow fat.
The gnat that sings his summer's song
Poison gets from Slander's tongue.
The poison of the snake and newt
Is the sweat of Envy's foot.
The poison of the honey-bee
Is the artist's jealousy.
The prince's robes and beggar's rags
Are toadstools on the miser's bags.
A truth that's told with bad intent
Beats all the lies you can invent.
It is right it should be so:
Man was made for joy and woe;
And when this we rightly know
Through the world we safely go.
Joy and woe are woven fine,
A clothing for the soul divine.
Under every grief and pine
Runs a joy with silken twine.
The babe is more than swaddling bands,
Throughout all these human lands;
Tools were made and born were hands,
Every farmer understands.
Every tear from every eye
Becomes a babe in eternity;
This is caught by females bright
And returned to its own delight.
The bleat, the bark, bellow, and roar
Are waves that beat on heaven's shore.
The babe that weeps the rod beneath
Writes Revenge! in realms of death.
The beggar's rags fluttering in air
Does to rags the heavens tear.
The soldier armed with sword and gun
Palsied strikes the summer's sun.
The poor man's farthing is worth more
Than all the gold on Afric's shore.
One mite wrung from the labourer's hands
Shall buy and sell the miser's lands,
Or if protected from on high
Does that whole nation sell and buy.
He who mocks the infant's faith
Shall be mocked in age and death.
He who shall teach the child to doubt
The rotting grave shall ne'er get out.
He who respects the infant's faith
Triumphs over hell and death.
The child's toys and the old man's reasons
Are the fruits of the two seasons.
The questioner who sits so sly
Shall never know how to reply.
He who replies to words of doubt
Doth put the light of knowledge out.
The strongest poison ever known
Came from Caesar's laurel crown.
Nought can deform the human race
Like to the armour's iron brace.
When gold and gems adorn the plough
To peaceful arts shall Envy bow.
A riddle or the cricket's cry
Is to doubt a fit reply.
The emmet's inch and eagle's mile
Make lame philosophy to smile.
He who doubts from what he sees
Will ne'er believe, do what you please.
If the sun and moon should doubt,
They'd immediately go out.
To be in a passion you good may do,
But no good if a passion is in you.
The whore and gambler, by the state
Licensed, build that nation's fate.
The harlot's cry from street to street
Shall weave old England's winding sheet.
The winner's shout, the loser's curse,
Dance before dead England's hearse.
Every night and every morn
Some to misery are born.
Every morn and every night
Some are born to sweet delight.
Some are born to sweet delight,
Some are born to endless night.
We are led to believe a lie
When we see not through the eye
Which was born in a night to perish in a night,
When the soul slept in beams of light.
God appears, and God is light
To those poor souls who dwell in night,
But does a human form display
To those who dwell in realms of day.



--William Blake

Nov. 20 - Thomas Chatterton

English poet Thomas Chatterton (November 20, 1752 – August 24, 1770) committed suicide by drinking arsenic rather than die of starvation at the young age of 17.

This gifted, rebellious youth became known for his genius after his death and later became a hero to the romantic poets.

These were written when he was 17 or younger!

Picture of Autumn

When autumn, bleak and sun-burnt, do appear,
With his gold hand gilting the falling leaf,
Bringing up winter to fulfil the year,
Bearing upon his back the riped sheaf;
When all the hills with woody seed are white,
When levying fires, and lemes, do meet from far the sight:
When the fair apple, rudde as even sky,
Do bend the tree unto the fructile ground.
When juicy pears, and berries of black dye,
Do dance in air and call the eyne around;
Then, be the even foul, or even fair,
Methinks my hearte's joy is stained with some care.


The Copernican System

The Sun revolving on his axis turns,
And with creative fire intensely burns;
Impell'd by forcive air, our Earth supreme,
Rolls with the planets round the solar gleam.
First Mercury completes his transient year,
Glowing, refulgent, with reflected glare;
Bright Venus occupies a wider way,
The early harbinger of night and day;
More distant still our globe terraqueous turns,
Nor chills intense, nor fiercely heated burns;
Around her rolls the lunar orb of light,
Trailing her silver glories through the night:
On the Earth's orbit see the various signs,
Mark where the Sun our year completing shines;
First the bright Ram his languid ray improves;
Next glaring watry thro' the Bull he moves;
The am'rous Twins admit his genial ray;
Now burning thro' the Crab he takes his way;
The Lion flaming bears the solar power;
The Virgin faints beneath the sultry show'r,
Now the just Balance weighs his equal force,
The slimy Serpent swelters in his course;
The sabled Archer clouds his languid face;
The Goat, with tempests, urges on his race;
Now in the Wat'rer his faint beams appear,
And the cold Fishes end the circling year.
Beyond our globe the sanguine Mars displays
A strong reflection of primoeval rays;
Next belted Jupiter far distant gleams,
Scarcely enlighten'd with the solar beams,
With four unfix'd receptacles of light,
He tours majestic thro' the spacious height:
But farther yet the tardy Saturn lags,
And five attendant Luminaries drags,
Investing with a double ring his pace,
He circles thro' immensity of space.
These are thy wondrous works, first source of Good!
Now more admir'd in being understood.



The Romance Of The Knight

The pleasing sweets of spring and summer past,
The falling leaf flies in the sultry blast,
The fields resign their spangling orbs of gold,
The wrinkled grass its silver joys unfold,
Mantling the spreading moor in heavenly white,
Meeting from every hill the ravished sight.
The yellow flag uprears its spotted head,
Hanging regardant o'er its watery bed;
The worthy knight ascends his foaming steed,
Of size uncommon, and no common breed.
His sword of giant make hangs from his belt,
Whose piercing edge his daring foes had felt.
To seek for glory and renown he goes
To scatter death among his trembling foes;
Unnerved by fear, they trembled at his stroke;
So cutting blasts shake the tall mountain oak.


Down in a dark and solitary vale,
Where the curst screech-owl sings her fatal tale,
Where copse and brambles interwoven lie,
Where trees intwining arch the azure sky,
Thither the fate-marked champion bent his way,
By purling streams to lose the heat of day;
A sudden cry assaults his listening ear,
His soul's too noble to admit of fear.—
The cry re-echoes; with his bounding steed
He gropes the way from whence the cries proceed.
The arching trees above obscured the light,
Here 'twas all evening, there eternal night.
And now the rustling leaves and strengthened cry
Bespeaks the cause of the confusion nigh;
Through the thick brake th'astonished champion sees
A weeping damsel bending on her knees:
A ruffian knight would force her to the ground,
But still some small resisting strength she found.
(Women and cats, if you compulsion use,
The pleasure which they die for will refuse.)
The champion thus: "Desist, discourteous knight,
Why dost thou shamefully misuse thy might?"
With eye contemptuous thus the knight replies,
"Begone! whoever dares my fury dies!"
Down to the ground the champion's gauntlet flew,
"I dare thy fury, and I'll prove it too."


Like two fierce mountain-boars enraged they fly,
The prancing steeds make Echo rend the sky,
Like a fierce tempest is the bloody fight,
Dead from his lofty steed falls the proud ruffian knight.
The victor, sadly pleased, accosts the dame,
"I will convey you hence to whence you came."
With look of gratitude the fair replied—
"Content; I in your virtue may confide.
But," said the fair, as mournful she surveyed
The breathless corse upon the meadow laid,
"May all thy sins from heaven forgiveness find!
May not thy body's crimes affect thy mind!"


Notes
This is a modernized version by Chatterton From "The Romaunte of the Knyghte, by medival poet John de Burgham."


Cat

November 11 - Remembering

Remembrance Day originally commemorated the brave soldiers who fought and died in WWI. The Great War. The War to End All Wars.


Will there ever be a time of no war? Was there ever such a time?

I would like to honor all the young men and women who risk and give their lives for that shining ideal, that wish for peace, for a kinder, gentler world.

Perhaps in the next millennium...


Here are some works by poets of WWI, who sadly died in combat, much too young.


In Flanders Fields - by Royal Canadian Army Medical Corp officer, Dr. John McCrae [1872-1918]


In Flanders Fields
by John McCrae, written May 1915

In Flanders fields the poppies blow
Between the crosses, row on row,
That mark our place; and in the sky
The larks, still bravely singing, fly
Scarce heard amid the guns below.

We are the Dead. Short days ago
We lived, felt dawn, saw sunset glow,
Loved and were loved, and now we lie
In Flanders fields.

Take up our quarrel with the foe:
To you from failing hands we throw
The torch; be yours to hold it high.
If ye break faith with us who die
We shall not sleep,
though poppies grow
In Flanders fields.


~


Wilfred Edward Salter Owen (March 18, 1893 - November 4, 1918). English poet and soldier, regarded by some as the leading poet of the First World War. He died one week before the end of the war.


Anthem For Doomed Youth
by Wilfred Owen

What passing-bells for these who die as cattle?
Only the monstrous anger of the guns.
Only the stuttering rifles' rapid rattle
Can patter out their hasty orisons.
No mockeries for them; no prayers nor bells,
Nor any voice of mourning save the choirs,--
The shrill, demented choirs of wailing shells;
And bugles calling for them from sad shires.
What candles may be held to speed them all?
Not in the hands of boys, but in their eyes
Shall shine the holy glimmers of goodbyes.
The pallor of girls' brows shall be their pall;
Their flowers the tenderness of patient minds,
And each slow dusk a drawing-down of blinds.



Dulce Et Decorum Est Pro Patria Mori
by Wilfred Owen

Bent double, like old beggars under sacks,
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs,
And towards our distant rest began to trudge.
Men marched asleep. Many had lost their boots,
But limped on, blood-shod. All went lame, all blind;
Drunk with fatigue; deaf even to the hoots
Of gas-shells dropping softly behind.

Gas! GAS! Quick, boys!--An ecstasy of fumbling
Fitting the clumsy helmets just in time,
But someone still was yelling out and stumbling
And flound'ring like a man in fire or lime.--
Dim through the misty panes and thick green light,
As under a green sea, I saw him drowning.
In all my dreams before my helpless sight
He plunges at me, guttering, choking, drowning.

If in some smothering dreams, you too could pace
Behind the wagon that we flung him in,
And watch the white eyes writhing in his face,
His hanging face, like a devil's sick of sin,
If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs
Bitter as the cud
Of vile, incurable sores on innocent tongues,--
My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old Lie: Dulce et decorum est
Pro patria mori.

Note: Dulce et decorum est Pro Patria mori is from Horace. Owen wrote in a letter to his mother: "The famous Latin tag means of course It is sweet and fitting to die for one's country. Sweet! and decorous!"

Written in 1917



Futility
by Wilfred Owen

Move him into the sun-
Gently its touch awoke him once,
At home, whispering of fields unsown.
Always it woke him, even in France,
Until this morning and this snow.
If anything might rouse him now
The kind old sun will know.

Think how it wakes the seeds-
Woke once the clays of a cold star.
Are limbs, so dear-achieved, are sides
Full-nerved, still warm, too hard to stir?
Was it for this the clay grew tall?
-O what made fatuous sunbeams toil
To break earth's sleep at all?

Written in 1918.




The Next War
by Wilfred Owen

War's a joke for me and you,
While we know such dreams are true--Siegfried Sassoon

Out there, we've walked quite friendly up to Death;
Sat down an eaten with him, cool and bland, -
Pardoned his spilling mess-tins in our hand.
We've sniffed the green thick odour of his breath, -
Our eyes wept, but our courage didn't writhe.
He's spat at us with bullets and he's coughed
Shrapnel. We chorused when he sang aloft;
We whistled while he shaved us with his scythe.

Oh, Death was never enemy of ours!
We laughed at him, we leagued with him, old chum.
No soldier's paid to kick against his powers.
We laughed, knowing that better men would come,
And greater wars; when each proud fighter brags
He wars on Death - for lives; not men - for flags.


written 1915



--Cat

Oct. 31 John Keats

One of the great Romantic Poets, John Keats was born in London on October 31, 1795. He died in Rome of tuberculosis at the age of 25, on February 23, 1821.

Keats told his friend Joseph Severn that he wanted on his grave just the line, "Here lies one whose name was writ in water."

Percy Bysshe Shelley, who admired Keats' work, celebrated Keats' greatness in his magnificent long elegy, Adonais --

He has outsoared the shadow of the night;
Envy and calumny and hate and pain,
And that unrest which men miscall delight,
Can touch him not and torture not again.

--excerpt from Adonais by Percy Bysshe Shelley

Best known perhaps for his beautiful Odes (To a Nightingale, On a Grecian Urn...), here are some sonnets by Keats:

When I Have Fears that I may Cease to be

When I have fears that I may cease to be
Before my pen has glean’d my teeming brain,
Before high piled books, in charact’ry,
Hold like rich garners the full-ripen’d grain;
When I behold, upon the night’s starr’d face,
Huge cloudy symbols of a high romance,
And think that I may never live to trace
Their shadows, with the magic hand of chance;
And when I feel, fair creature of an hour!
That I shall never look upon thee more,
Never have relish in the faery power
Of unreflecting love!—then on the shore
Of the wide world I stand alone, and think
Till Love and Fame to nothingness do sink.


Bright Star, Would I Were Steadfast As Thou Art

Bright star, would I were steadfast as thou art—
Not in lone splendour hung aloft the night
And watching, with eternal lids apart,
Like nature's patient, sleepless Eremite,
The moving waters at their priestlike task
Of pure ablution round earth's human shores,
Or gazing on the new soft-fallen mask
Of snow upon the mountains and the moors—
No—yet still steadfast, still unchangeable,
Pillow'd upon my fair love's ripening breast,
To feel for ever its soft fall and swell,
Awake for ever in a sweet unrest,
Still, still to hear her tender-taken breath,
And so live ever—or else swoon to death.


O Solitude! If I Must With Thee Dwell

O Solitude! if I must with thee dwell,
Let it not be among the jumbled heap
Of murky buildings: climb with me the steep,—
Nature's observatory—whence the dell,
In flowery slopes, its river's crystal swell,
May seem a span; let me thy vigils keep
'Mongst boughs pavilioned, where the deer's swift leap
Startles the wild bee from the foxglove bell.
But though I'll gladly trace these scenes with thee,
Yet the sweet converse of an innocent mind,
Whose words are images of thoughts refined,
Is my soul's pleasure; and it sure must be
Almost the highest bliss of human-kind,
When to thy haunts two kindred spirits flee.

--John Keats

~

Cat

Oct 21 - Coleridge

Samuel Taylor Coleridge October 21, 1772 - July 25, 1834

Coleridge, with all his talent, was never able to get his life together. Plagued by poor health, he began using laudanum, then progressed to opium, which became a lifelong addiction.

Best known for his poetry, eg The Rime of the Ancient Mariner, he was a brilliant essayist and critic. He was considered the greatest Shakespeare critic.

Often on the verge of suicide, he sums up his life in the epitaph he wrote for himself:

Stop, Christian passer-by : Stop, child of God,
And read, with gentle breast. Beneath this sod
A poet lies, or that which once seem'd he--
O, lift one thought in prayer for S. T. C.--
That he who many a year with toil of breath
Found death in life, may here find life in death:
Mercy for praise--to be forgiven for fame--
He ask'd, and hoped through Christ. Do thou the same.

Nov. 9, 1833.


Epigram

Sir, I admit your general rule,
That every poet is a fool,
But you yourself may serve to show it,
That every fool is not a poet.



~said to have been the result of a opium dream:

Kubla Khan (1797)

In Xanadu did Kubla Khan
A stately pleasure-dome decree:
Where Alph, the sacred river, ran
Through caverns measureless to man
Down to a sunless sea.

So twice five miles of fertile ground
With walls and towers were girdled round:
And there were gardens bright with sinuous rills,
Where blossomed many an incense-bearing tree;
And here were forests ancient as the hills,
Enfolding sunny spots of greenery.

But oh! that deep romantic chasm which slanted
Down the green hill athwart a cedarn cover!
A savage place! as holy and enchanted
As e'er beneath a waning moon was haunted
By woman wailing for her demon-lover!
And from this chasm, with ceaseless turmoil seething,
As if this earth in fast thick pants were breathing,
A mighty fountain momently was forced:
Amid whose swift half-intermitted burst
Huge fragments vaulted like rebounding hail,
Or chaffy grain beneath the thresher's flail:
And 'mid these dancing rocks at once and ever
It flung up momently the sacred river.
Five miles meandering with a mazy motion
Through wood and dale the sacred river ran,
Then reached the caverns measureless to man,
And sank in tumult to a lifeless ocean:
And 'mid this tumult Kubla heard from far
Ancestral voices prophesying war!

The shadow of the dome of pleasure
Floated midway on the waves;
Where was heard the mingled measure
From the fountain and the caves.
It was a miracle of rare device,
A sunny pleasure-dome with caves of ice!

A damsel with a dulcimer
In a vision once I saw:
It was an Abyssinian maid,
And on her dulcimer she played,
Singing of Mount Abora.
Could I revive within me
Her symphony and song,
To such a deep delight 'twould win me
That with music loud and long
I would build that dome in air,
That sunny dome! those caves of ice!
And all who heard should see them there,
And all should cry, Beware! Beware!
His flashing eyes, his floating hair!
Weave a circle round him thrice,
And close your eyes with holy dread,
For he on honey-dew hath fed
And drunk the milk of Paradise.


--Samuel Taylor Coleridge


~

Cat

Robinson Jeffers

Photograph by Carl Van Vechten, July 9, 1937

John Robinson Jeffers, the top of my list of favorite poets, was born January 10, 1887 in Pittsburgh, Pennsylvania and died Jan 20, 1962 in Carmel, California.

Obviously it isn't his birthday today, but I was browsing his poetry, as I often do, and came across some works that, though written more than forty years ago, seem to speak of the times. All times, it seems.

Jeffers was immensely popular, an unwilling "darling" of the literati of the twenties and thirties. But his intense antiwar sentiments, his criticism of America's entering WWII tossed him from favor. Although he later published several books of poetry, he never regained his initial acclaim.

These poems were published in 1963, one year after his death:

Birth And Death

I am old and in the ordinary course of nature
shall die soon, but the human race is not old
But rather childish, it is an infant and acts
like one,
And now it has captured the keys of the kingdoms
of unearthly violence. Will it use them? It
loves destruction you know.
And the earth is too small to feed us, we must
have room.
It seems expedient that not as of old one man,
but many nations and races die for the people.
Have you noticed meanwhile the population
explosion
Of man on earth, the torrents of new-born babies,
the bursting schools? Astonishing. It saps
man's dignity.
We used to be individuals, not populations.
Perhaps we are now preparing for the great
slaughter. No reason to be alarmed; stone-dead
is dead;
Breeding like rabbits we hasten to meet the day.


Shine, Perishing Republic

While this America settles in the mould of its vulgarity, heavily thickening
to empire
And protest, only a bubble in the molten mass, pops and sighs out, and the
mass hardens,
I sadly smiling remember that the flower fades to make fruit, the fruit rots
to make earth.
Out of the mother; and through the spring exultances, ripeness and deca-
dence; and home to the mother.

You making haste haste on decay: not blameworthy; life is good, be it stub-
bornly long or suddenly
A mortal splendor: meteors are not needed less than mountains:
shine, perishing republic.
But for my children, I would have them keep their distance from the thick-
ening center; corruption
Never has been compulsory, when the cities lie at the monster's feet there
are left the mountains.
And boys, be in nothing so moderate as in love of man, a clever servant,
insufferable master.
There is the trap that catches noblest spirits, that caught--they say--
God, when he walked on earth.


--Robinson Jeffers


~Perhaps, like Jeffers must have felt, today I'm simply depressed about the state of things in the world, this grand old beautiful world which seems yet again on a collision course with a man-made apocalypse.

I'll skulk off now and return with some of Jeffers' wonderful nature poetry on his birthday.

Cat

In Memoriam - K F Hartwell

Kevan F. Hartwell Dec. 21, 1920 - Oct. 3, 2001

I immediately thought of my father when I came across this quote by George Bernard Shaw (1856-1950). These words so aptly describe the way Kevan Hartwell lived, how he eagerly met life head on:

"I want to be thoroughly used up when I die, for the harder I work, the more I live. I rejoice in life for its own sake. Life is no brief candle for me. It is a sort of splendid torch which I have got hold of for the moment, and I want to make it burn as brightly as possible before handing on to future generations."

In Memoriam

Five years, Dad, since you’ve been gone.
And here’s a new October dawn.

Five years passed like one moment in time, the blink of an eye,
a solemn whisper, a small sad sigh.

We miss your music, miss your voice, your wisdom and your cheer.
The world has changed since you’ve been gone, for you’re no longer here.

The space is dark and empty you once so brightly filled,
but we are not forsaken; you're here beside us still.

Your words still clearly echo, your hands, with love, still guide
As we reflect upon the past with tears, with smiles, with pride.

Five years now since you’ve been gone,
And we, the living, must live on.


To you, to the "splendid torch" that you passed.

Sept. 14 - Hamlin Garland

Hamlin Garland September 14, 1860 - March 4, 1940

Born in West Salem, Wisconsin, Hamlin Garland, novelist, short story writer, poet, biographer, lecturer, socialist, won the Pulitzer Prize in 1922 for biography.

His fascination with the West led him to travel from indian lands to the Klondike, soaking up information and color that he was to use in his writing.

One of Garland's contributions to late nineteenth-century literary theory was his coinage of the term "veritism" to describe his method of composing fiction. In his essay "Literary Prophecy," Garland states:

The realist or veritist is really an optimist, a dreamer. He sees life in terms of what it might be, as well as in terms of what is; but he writes of what is, and, at his best, suggests what is to be, by contrast. He aims to be perfectly truthful of his relation to life, but there is a tone, a color, which comes unconsciously into his utterance, like the sobbing stir of the muted violins beneath the frank, clear song of the clarinet. . . .


Poetry by Hamlin Garland:


A Wish

All day and many days I rode,
My horse’s head set toward the sea;
And as I rode a longing came to me
That I might keep the sunset road,
Riding my horse right on and on,
O’ertake the day still lagging at the west,
And so reach boyhood from the dawn,
And be with all the days at rest.

For then the odor of the growing wheat,
The flare of sumach on the hills,
The touch of grasses to my feet
Would cure my brain of all its ills,—
Would fill my heart so full of joy
That no stern lines could fret my face.
There would I be forever boy,
Lit by the sky’s unfailing grace.




In the Grass

O to lie in long grasses!
O to dream of the plain!
Where the west wind sings as it passes
A weird and unceasing refrain;
Where the rank grass wallows and tosses,
And the plains’ ring dazzles the eye;
Where hardly a silver cloud bosses
The flashing steel arch of the sky.

To watch the gay gulls as they flutter
Like snowflakes and fall down the sky,
To swoop in the deeps of the hollows,
Where the crow’s-foot tosses awry,
And gnats in the lee of the thickets
Are swirling like waltzers in glee
To the harsh, shrill creak of the crickets,
And the song of the lark and the bee.

O far-off plains of my west land!
O lands of winds and the free,
Swift deer—my mist-clad plain!
From my bed in the heart of the forest,
From the clasp and the girdle of pain
Your light through my darkness passes;
To your meadows in dreaming I fly
To plunge in the deeps of your grasses,
To bask in the light of your sky!




In August

From the great trees the locusts cry
In quavering ecstatic duo—a boy
Shouts a wild call—a mourning dove
In the blue distance sobs—the wind
Wanders by, heavy with odors
Of corn and wheat and melon vines;
The trees tremble with delirious joy as the breeze
Greets them, one by one—now the oak
Now the great sycamore, now the elm.

And the locusts in brazen chorus, cry
Like stricken things, and the ring-dove's note
Sobs on in the dim distance.




Indian Summer

At last there came
The sudden fall of frost, when Time
Dreaming through russet September days
Suddenly awoke, and lifting his head, strode
Swiftly forward—made one vast desolating sweep
Of his scythe, then, rapt with the glory
That burned under his feet, fell dreaming again.
And the clouds soared and the crickets sang
In the brief heat of noon; the corn,
So green, grew sere and dry—
And in the mist the ploughman's team
Moved silently, as if in dream—
And it was Indian summer on the plain.




Sport

Somewhere, in deeps
Of tangled, ripening wheat,
A little prairie-chicken cries—
Lost from its fellows, it pleads and weeps.
Meanwhile, stained and mangled,
With dust-filled eyes,
The unreplying mother lies
Limp and bloody at the sportsman's feet.


--Hamlin Garland

Sept 7 - Elinor Wylie

Elinor (Hoyt) Wylie September 7, 1885 – December 16, 1928

New Jersey-born Elinor Wylie led a passionate, flamboyant, sadly too short life. Her search for love led her into three marriages, all ultimately unsatisfactory. One biographer observed that she had three lives:

...That of childhood, shy, timorous, and fairly sheltered; followed by the second, which was passed buried alive; and the third, the shortest of all, as a very famous writer and woman. This period spanned eight years and she acted as if she knew it would be short.
----Olson, Stanley. Elinor Wylie: A Life Apart

She is currently noted as a minor poet which in my opinion does her an injustice. Her poetry, while often seen as depressing by those who "know" is lovely and speaks to me.

Some poems by Elinor Wylie:


Pretty Words

Poets make pets of pretty, docile words:
I love smooth words, like gold-enamelled fish
Which circle slowly with a silken swish,
And tender ones, like downy-feathered birds:
Words shy and dappled, deep-eyed deer in herds,
Come to my hand, and playful if I wish,
Or purring softly at a silver dish,
Blue Persian kittens fed on cream and curds.

I love bright words, words up and singing early;
Words that are luminous in the dark, and sing;
Warm lazy words, white cattle under trees;
I love words opalescent, cool, and pearly,
Like midsummer moths, and honied words like bees,
Gilded and sticky, with a little sting.


Sunset on the Spire

All that I dream
By day or night
Lives in that stream
Of lovely light.
Here is the earth,
And there is the spire;
This is my hearth,
And that is my fire.
From the sun's dome
I am shouted proof
That this is my home,
And that is my roof.
Here is my food,
And here is my drink,
And I am wooed
From the moon's brink.
And the days go over,
And the nights end;
Here is my lover,
Here is my friend.
All that I
Can ever ask
Wears that sky
Like a thin gold mask.


Song

It is my thoughts that colour
My soul which slips between;
Thoughts lunar and solar
And gold and sea-green

Tint the pure translucence
Of the crystal thread;
A rainbow nuisance
It runs through my head.

When I am dead, or sleeping
Without any pain,
My soul will stop creeping
Through my jeweled brain

With no brightness to dye it
None will see where
It flows clear and quiet
As a river of air;

Watering dark places
Without sparkle or sound;
Kissing dumb faces
And the dusty ground.


Winter Sleep

When against earth a wooden heel
Clicks as loud as stone on steel,
When stone turns flour instead of flakes,
And frost bakes clay as fire bakes,
When the hard-bitten fields at last
Crack like iron flawed in the cast,
When the world is wicked and cross and old,
I long to be quit of the cruel cold.

Little birds like bubbles of glass
Fly to other Americas,
Birds as bright as sparkles of wine
Fly in the nite to the Argentine,
Birds of azure and flame-birds go
To the tropical Gulf of Mexico:
They chase the sun, they follow the heat,
It is sweet in their bones, O sweet, sweet, sweet!
It's not with them that I'd love to be,
But under the roots of the balsam tree.

Just as the spiniest chestnut-burr
Is lined within with the finest fur,
So the stoney-walled, snow-roofed house
Of every squirrel and mole and mouse
Is lined with thistledown, sea-gull's feather,
Velvet mullein-leaf, heaped together
With balsam and juniper, dry and curled,
Sweeter than anything else in the world.

O what a warm and darksome nest
Where the wildest things are hidden to rest!
It's there that I'd love to lie and sleep,
Soft, soft, soft, and deep, deep, deep!


Sea Lullaby

The old moon is tarnished
With smoke of the flood,
The dead leaves are varnished
With colour like blood.

A treacherous smiler
With teeth white as milk,
A savage beguiler
In sheathings of silk

The sea creeps to pillage,
She leaps on her prey;
A child of the village
Was murdered today.

She came up to meet him
In a smooth golden cloak,
She choked him and beat him
to death, for a joke.

Her bright locks were tangled,
She shouted for joy
With one hand she strangled
A strong little boy.

Now in silence she lingers
Beside him all night
To wash her long fingers
In silvery light.


Death and the Maiden

BARCAROLE ON THE STYX

Fair youth with the rose at your lips,
A riddle is hid in your eyes;
Discard conversational quips,
Give over elaborate disguise.

The rose's funeral breath
Confirms by intuitive fears;
To prove your devotion, Sir Death,
Avaunt for a dozen of years.

But do not forget to array
Your terror in juvenile charms;
I shall deeply regret my delay
If I sleep in a skeleton's arms.


Prophecy

I shall die hidden in a hut
In the middle of an alder wood,
With the back door blind and bolted shut,
And the front door locked for good.

I shall lie folded like a saint,
Lapped in a scented linen sheet,
On a bedstead striped with bright-blue paint,
Narrow and cold and neat.

The midnight will be glassy black
Behind the panes, with wind about
To set his mouth against a crack
And blow the candle out.

--Cat