HAPPY NEW YEAR 2010

The Old Year
by John Clare

The Old Year's gone away
To nothingness and night:
We cannot find him all the day
Nor hear him in the night:
He left no footstep, mark or place
In either shade or sun:
The last year he'd a neighbour's face,
In this he's known by none.

All nothing everywhere:
Mists we on mornings see
Have more of substance when they're here
And more of form than he.
He was a friend by every fire,
In every cot and hall--
A guest to every heart's desire,
And now he's nought at all.

Old papers thrown away,
Old garments cast aside,
The talk of yesterday,
Are things identified;
But time once torn away
No voices can recall:
The eve of New Year's Day
Left the Old Year lost to all.



At the Entering of the New Year
by Thomas Hardy

I
(OLD STYLE)

Our songs went up and out the chimney,
And roused the home-gone husbandmen;
Our allemands, our heys, poussettings,
Our hands-across and back again,
Sent rhythmic throbbings through the casements
On to the white highway,
Where nighted farers paused and muttered,
"Keep it up well, do they!"

The contrabasso's measured booming
Sped at each bar to the parish bounds,
To shepherds at their midnight lambings,
To stealthy poachers on their rounds;
And everybody caught full duly
The notes of our delight,
As Time unrobed the Youth of Promise
Hailed by our sanguine sight.

II
(NEW STYLE)

We stand in the dusk of a pine-tree limb,
As if to give ear to the muffled peal,
Brought or withheld at the breeze's whim;
But our truest heed is to words that steal
From the mantled ghost that looms in the gray,
And seems, so far as our sense can see,
To feature bereaved Humanity,
As it sighs to the imminent year its say:—

"O stay without, O stay without,
Calm comely Youth, untasked, untired;
Though stars irradiate thee about
Thy entrance here is undesired.
Open the gate not, mystic one;
Must we avow what we would close confine?
With thee, good friend, we would have converse none,
Albeit the fault may not be thine."

December 31. During the War.



New Year's Morning
by Helen Hunt Jackson

Only a night from old to new!
Only a night, and so much wrought!
The Old Year's heart all weary grew,
But said: "The New Year rest has brought
The Old Year's hopes its heart laid down,
As in a grave; but trusting, said:"
The blossoms of the New Year's crown
Bloom from the ashes of the dead."
The Old Year's heart was full of greed;
With selfishness it longed and ached,
And cried: "I have not half I need.
My thirst is bitter and unslaked.
But to the New Year's generous hand
All gifts in plenty shall return;
True love it shall understand;
By all my failures it shall learn.
I have been reckless; it shall be
Quiet and calm and pure of life.
I was a slave; it shall go free,
And find sweet pace where I leave strife."
Only a night from old to new!
Never a night such changes brought.
The Old Year had its work to do;
No New Year miracles are wrought.

Always a night from old to new!
Night and the healing balm of sleep!
Each morn is New Year's morn come true,
Morn of a festival to keep.
All nights are sacred nights to make
Confession and resolve and prayer;
All days are sacred days to wake
New gladness in the sunny air.
Only a night from old to new;
Only a sleep from night to morn.
The new is but the old come true;
Each sunrise sees a new year born.



A Song for New Year's Eve
by William Cullen Bryant

Stay yet, my friends, a moment stay—
Stay till the good old year,
So long companion of our way,
Shakes hands, and leaves us here.
Oh stay, oh stay,
One little hour, and then away.

The year, whose hopes were high and strong,
Has now no hopes to wake;
Yet one hour more of jest and song
For his familiar sake.
Oh stay, oh stay,
One mirthful hour, and then away.

The kindly year, his liberal hands
Have lavished all his store.
And shall we turn from where he stands,
Because he gives no more?
Oh stay, oh stay,
One grateful hour, and then away.

Days brightly came and calmly went,
While yet he was our guest;
How cheerfully the week was spent!
How sweet the seventh day's rest!
Oh stay, oh stay,
One golden hour, and then away.

Dear friends were with us, some who sleep
Beneath the coffin-lid:
What pleasant memories we keep
Of all they said and did!
Oh stay, oh stay,
One tender hour, and then away.

Even while we sing, he smiles his last,
And leaves our sphere behind.
The good old year is with the past;
Oh be the new as kind!
Oh stay, oh stay,
One parting strain, and then away.

New Year's Quotations

Here's to the bright New Year, and a fond farewell to the old; here's to the things that are yet to come, and to the memories that we hold.
-- Anonymous

Let us not drink to the past, but to the future.
-- Anonymous

A merry Christmas to everybody! A happy New Year to all the world!
-- Charles Dickens

For last year's words belong to last year's language And next year's words await another voice. And to make an end is to make a beginning.
-- T.S. Eliot

Be at war with your vices; at peace with your neighbors, and let every new year find you a better man.
-- Benjamin Franklin

Yesterday, everybody smoked his last cigar, took his last drink and swore his last oath. Today, we are a pious and exemplary community. Thirty days from now, we shall have cast our reformation to the winds and gone to cutting our ancient shortcomings considerably shorter than ever.
-- Mark Twain

An optimist stays up until midnight to see the new year in. A pessimist stays up to make sure the old year leaves.
-- Bill Vaughan


Welcome 2010!
--Cat

Winter Poetry

Nature reminds us we're barreling toward the darkest day.



The Snow-Storm
by Ralph Waldo Emerson

Announced by all the trumpets of the sky,
Arrives the snow, and, driving o'er the fields,
Seems nowhere to alight: the whited air
Hides hill and woods, the river, and the heaven,
And veils the farmhouse at the garden's end.
The sled and traveller stopped, the courier's feet
Delated, all friends shut out, the housemates sit
Around the radiant fireplace, enclosed
In a tumultuous privacy of storm.
Come see the north wind's masonry.
Out of an unseen quarry evermore
Furnished with tile, the fierce artificer
Curves his white bastions with projected roof
Round every windward stake, or tree, or door.
Speeding, the myriad-handed, his wild work
So fanciful, so savage, nought cares he
For number or proportion. Mockingly,
On coop or kennel he hangs Parian wreaths;
A swan-like form invests the hiddden thorn;
Fills up the famer's lane from wall to wall,
Maugre the farmer's sighs; and at the gate
A tapering turret overtops the work.
And when his hours are numbered, and the world
Is all his own, retiring, as he were not,
Leaves, when the sun appears, astonished Art
To mimic in slow structures, stone by stone,
Built in an age, the mad wind's night-work,
The frolic architecture of the snow.



To Winter
by William Blake

O Winter! bar thine adamantine doors:
The north is thine; there hast thou built thy dark
Deep-founded habitation. Shake not thy roofs,
Nor bend thy pillars with thine iron car.'
He hears me not, but o'er the yawning deep
Rides heavy; his storms are unchain'd, sheath?d
In ribb?d steel; I dare not lift mine eyes,
For he hath rear'd his sceptre o'er the world.

Lo! now the direful monster, whose 1000 skin clings
To his strong bones, strides o'er the groaning rocks:
He withers all in silence, and in his hand
Unclothes the earth, and freezes up frail life.

He takes his seat upon the cliffs,--the mariner
Cries in vain. Poor little wretch, that deal'st
With storms!--till heaven smiles, and the monster
Is driv'n yelling to his caves beneath mount Hecla.



Winter Song
by Wilfred Owen

The browns, the olives, and the yellows died,
And were swept up to heaven; where they glowed
Each dawn and set of sun till Christmastide,
And when the land lay pale for them, pale-snowed,
Fell back, and down the snow-drifts flamed and flowed.

From off your face, into the winds of winter,
The sun-brown and the summer-gold are blowing;
But they shall gleam with spiritual glinter,
When paler beauty on your brows falls snowing,
And through those snows my looks shall be soft-going.



Woods in Winter
by Henry Wadsworth Longfellow

When winter winds are piercing chill,
And through the hawthorn blows the gale,
With solemn feet I tread the hill,
That overbrows the lonely vale.

O'er the bare upland, and away
Through the long reach of desert woods,
The embracing sunbeams chastely play,
And gladden these deep solitudes.

Where, twisted round the barren oak,
The summer vine in beauty clung,
And summer winds the stillness broke,
The crystal icicle is hung.

Where, from their frozen urns, mute springs
Pour out the river's gradual tide,
Shrilly the skater's iron rings,
And voices fill the woodland side.

Alas! how changed from the fair scene,
When birds sang out their mellow lay,
And winds were soft, and woods were green,
And the song ceased not with the day!

But still wild music is abroad,
Pale, desert woods! within your crowd;
And gathering winds, in hoarse accord,
Amid the vocal reeds pipe loud.

Chill airs and wintry winds! my ear
Has grown familiar with your song;
I hear it in the opening year,
I listen, and it cheers me long.



Winter Kills
by Cat Dubie

Snow fell sneakily throughout the night,
more than two feet in this coastal paradise where rain is the norm.
The cedars bent under the weight, broke,
late-blooming pansies, bright red and yellow, lie shriveled in pots.

I heard the eagle scream
and so did the little ones at the feeder.
Nuthatches, chickadees, the small suet-loving woodpecker
all flurried to the leafless lilac tree.

A young rabbit, dark against the snow
hesitates, then leaps.

The eagle screams.


--Cat

Nov. 30th - Sir Philip Sidney

Sir Philip Sidney November 30, 1554 – October 17, 1586

English poet, dashing courtier and soldier, Sidney was a well known figure during the Elizabethan age. Born into an aristocratic family, highly educated, he travelled widely and hoped to serve his queen in a political role. In 1583 he was knighted and received a position of importance in the Netherlands. An ardent Protestant, he proposed attacks against the Roman Catholic Church and Spain. In 1586 Sidney was wounded in the Battle of Zutphen against the Spanish and died twenty-six days later. He was thirty-one

He composed several long works from which the following are culled:


CERTAIN SONNETS


[Leave me, O love]

Leave me, O love which reachest but to dust ;
And thou, my mind, aspire to higher things ;
Grow rich in that which never taketh rust,
Whatever fades but fading pleasure brings.
Draw in thy beams, and humble all thy might
To that sweet yoke where lasting freedoms be ;
Which breaks the clouds and opens forth the light,
That doth both shine and give us sight to see.
O take fast hold ; let that light be thy guide
In this small course which birth draws out to death,
And think how evil becometh him to slide,
Who seeketh heav'n, and comes of heav'nly breath.
Then farewell, world ; thy uttermost I see ;
Eternal Love, maintain thy life in me.
Splendidis longum valedico nugis


[Ring out your bells]

Ring out your bells, let mourning shows be spread ;
For love is dead—
All love is dead, infected
With plague of deep disdain ;
Worth, as nought worth, rejected,
And Faith fair scorn doth gain.
From so ungrateful fancy,
From such a female franzy,
From them that use men thus,
Good Lord, deliver us!

Weep, neighbours, weep ; do you not hear it said
That Love is dead?
His death-bed, peacock's folly ;
His winding-sheet is shame;
His will, false-seeming holy ;
His sole exec'tor, blame.
From so ungrateful, &c.

Let the dirge be sung and trentals rightly read,
For Love is dead ;
Sir Wrong his tomb ordaineth
My mistress Marble-heart,
Which epitaph containeth,
Her eyes were once his dart.
From so ungrateful, &c.

Alas, I lie, rage hath this error bred ;
Love is not dead ;
Love is not dead, but sleepeth
In her unmatchëd mind,
Where she his counsel keepeth,
Till due desert she find.
Therefore from so vile fancy,
To call such wit a franzy,
Who Love can temper thus,
Good Lord, deliver us!


[The nightingale]

The nightingale, as soon as April bringeth
Unto her rested sense a perfect waking,
While late bare earth, proud of new clothing, springeth,
Sings out her woes, a thorn her song-book making,
And mournfully bewailing,
Her throat in tunes expresseth
What grief her breast oppresseth,
For Tereus' force on her chaste will prevailing.
O Philomela fair, O take some gladness,
That here is juster cause of plaintful sadness :
Thine earth now springs, mine fadeth ;
Thy thorn without, my thorn my heart invadeth.

Alas, she hath no other cause of anguish
But Tereus' love, on her by strong hand wroken,
Wherein she suffering, all her spirits languish ;
Full womanlike complains her will was broken.
But I, who daily craving,
Cannot have to content me,
Have more cause to lament me,
Since wanting is more woe than too much having.
O Philomela fair, O take some gladness,
That here is juster cause of plaintful sadness :
Thine earth now springs, mine fadeth ;
Thy thorn without, my thorn my heart invadeth.


Song.

WHO hath his fancy pleasèd
With fruits of happy sight;
Let here his eyes be raisèd,
On Nature's sweetest light;
A light which doth dissever
And yet unite the eyes,
A light which, dying never,
Is cause the looker dies.

She never dies, but lasteth
In life of lover's heart;
He ever dies that wasteth
In love his chiefest part:
Thus is her life still guarded
In never-dying faith;
Thus is his death rewarded,
Since she lives in his death.

Look then, and die! The pleasure
Doth answer well the pain:
Small loss of mortal treasure
Who may immortal gain!
Immortal be her graces,
Immortal is her mind;
They fit for heavenly places—
This, heaven in it doth bind.

But eyes these beauties see not,
Nor sense that grace descries;
Yet eyes deprivèd be not
From sight of her fair eyes—
Which, as of inward glory
They are the outward seal,
So may they live still sorry,
Which die not in that weal.

But who hath fancies pleasèd
With fruits of happy sight,
Let here his eyes be raisèd
On Nature's sweetest light!


Loving In Truth, And Fain In Verse My Love To Show

Loving in truth, and fain in verse my love to show,
That She, dear She, might take some pleasure of my pain,
—Pleasure might cause her read, reading might make her know,
Knowledge might pity win, and pity grace obtain—
I sought fit words to paint the blackest face of woe,
Studying inventions fine, her wits to entertain,
Oft turning others' leaves, to see if thence would flow
Some fresh and fruitful showers upon my sunburnt brain.
But words came halting forth, wanting Invention's stay;
Invention, Nature's child, fled step-dame Study's blows;
And others' feet still seemed but strangers in my way.
Thus, great with child to speak, and helpless in my throes,
Biting my truant pen, beating myself for spite—
"Fool!" said my Muse to me "look in thy heart, and write!"


Sleep

Come Sleep; O Sleep! the certain knot of peace,
The baiting-place of wit, the balm of woe,
The poor man's wealth, the prisoner's release,
Th' indifferent judge between the high and low;
With shield of proof shield me from out the prease
Of those fierce darts Despair at me doth throw:
O make in me those civil wars to cease;
I will good tribute pay, if thou do so.
Take thou of me smooth pillows, sweetest bed,
A chamber deaf to noise and blind of light,
A rosy garland and a weary head;
And if these things, as being thine by right,
Move not thy heavy grace, thou shalt in me,
Livelier than elsewhere, Stella's image see.


To The Sad Moon

With how sad steps, O Moon, thou climb'st the skies!
How silently, and with how wan a face!
What! May it be that even in heavenly place
That busy archer his sharp arrows tries?
Sure, if that long-with-love-acquainted eyes
Can judge of love, thou feel'st a lover's case:
I read it in thy looks; thy languished grace
To me, that feel the like, thy state descries.
Then, even of fellowship, O Moon, tell me,
Is constant love deemed there but want of wit?
Are beauties there as proud as here they be?
Do they above love to be loved, and yet
Those lovers scorn whom that love doth possess?
Do they call 'virtue' there— ungratefulness?

--Sir Philip Sidney

--Cat

Remembrance Day 2009

Poetry written soon after the end of war by those who fought is always the most poignant, and sometimes most angry.

Siegfried Sassoon (September 8, 1886 – September 1, 1967) a decorated soldier during WWI, is one of the celebrated English war poets. Disturbed by the death, destruction, and suffering in which he partook, he developed strong anti-war feelings reflected in many of his works.


Aftermath

by Siegfried Sassoon (1919)

Have you forgotten yet?...
For the world’s events have rumbled on since those gagged days,
Like traffic checked while at the crossing of city-ways:
And the haunted gap in your mind has filled with thoughts that flow
Like clouds in the lit heaven of life; and you’re a man reprieved to go,
Taking your peaceful share of Time, with joy to spare.

But the past is just the same-and War’s a bloody game...
Have you forgotten yet?...
Look down, and swear by the slain of the War that you’ll never forget.

Do you remember the dark months you held the sector at Mametz-
The nights you watched and wired and dug and piled sandbags on parapets?
Do you remember the rats; and the stench
Of corpses rotting in front of the front-line trench-
And dawn coming, dirty-white, and chill with a hopeless rain?
Do you ever stop and ask, ‘Is it all going to happen again?’

Do you remember that hour of din before the attack-
And the anger, the blind compassion that seized and shook you then
As you peered at the doomed and haggard faces of your men?
Do you remember the stretcher-cases lurching back
With dying eyes and lolling heads-those ashen-grey
Masks of the lads who once were keen and kind and gay?

Have you forgotten yet?...
Look up, and swear by the green of the spring that you’ll never forget.

~

Quotes:

You cannot simultaneously prevent and prepare for war.”
--Albert Einstein

In war, there are no unwounded soldiers.
--José Narosky

We make war that we may live in peace.
--Aristotle, 384 BC

Mankind must put an end to war, or war will put an end to mankind.
--John Fitzgerald Kennedy

War does not determine who is right - only who is left.
--Bertrand Russell

Nations have recently been led to borrow billions for war; no nation has ever borrowed largely for education. Probably, no nation is rich enough to pay for both war and civilization. We must make our choice; we cannot have both.
--Abraham Flexner

I recoil with horror at the ferociousness of man. Will nations never devise a more rational umpire of differences than force? Are there no means of coercing injustice more gratifying to our nature than a waste of the blood of thousands and of the labor of millions of our fellow creatures?
--Thomas Jefferson

Draft beer, not people.
--Attributed to Bob Dylan


--Cat

Oct 30th - André Marie Chénier

André Marie Chénier (October 30 1762 – July 25 1794)

Chénier lived during the turbulent era of the French Revolution. A political moderate, he supported the Revolution until he realized that moderation, justice, and freedom from tyranny were unattainable ideals in the lawless society it spawned. A believer in a constitutional monarchy, as the revolution progressed he wrote many savage satirical works against the uprising for pamphlets and journals of the time. He later provided some arguments for the defense of Louis XVI, who was nevertheless guillotined in early 1793.


Poems in French, followed by English translations:

A number of the king's mercenary Swiss Guard revolted and murdered their officers. The murderers were captured, some killed, some incarcerated, and later released, returning to the city where they were, for political reasons, treated as heroes. Hymne aux Suisses de Chateauvieux, a masterpiece of irony, reflects Chénier's rage at this injustice and hypocrisy.

Hymne aux Suisses de Chateauvieux
by Andre Marie de Chenier

Salut, divin Triomphe! entre dans nos murailles!
Rends-nous ces guerriers illustrés
Par le sang de Désille, et par les funérailles
De tant de Français massacrés.
Jamais rien de si grand n'embellit ton entrée,
Ni quand l'ombre de Mirabeau
S'achemina jadis vers la voûte sacrée
Où la gloire donne un tombeau,
Ni quand Voltaire mort, et sa centre bannie
Rentrèrent aux murs de Paris.
Vainqueurs du fanatisme et de la calomnie,
Posternés devant ses écrits.


De voir des échevins, que la Rapée honore,
Asseoir sur un char radieux
Ces héros, que jadis sur les bancs des galères
Assit un arrêt outrageant,
Et qui n'ont égorgé que très peu de nos frères,
Et volé que très peu d'argent.


Que la Nuit de leurs noms embelisse se voiles,
Et que le nocher aux abois
Invoque en leur Galère, ornement des étoiles,
Les Suisses de Collt-d'Herbois.

~

Hail, divine Triumph! enter into our walls!
Welcome back those warrious honored
For the blood shed of Désille and the funerals
Of so many Frenchmen massacred.
Never before your gates saw anything so fine.
Not even when the shade of Mirabeau
Of yore was carried to the sacred shrine.
A tomb that only glory can bestow.
Nor when Voltaire's ashes, refused a calm retreat,
To Paris came back for repose.
And fanaticism and calumny in full defeat.
Prostrate lay before his prose.

Place on a radiant chariot
These heroes, who previously on a galley bench
Were put by an outrageous sentence,
And who strangled but very few of our brothers
And stole but little gold from others.

Let Night emboss their names in its veil,
And the Pilot, when he goes amiss,
Invoke in their Galley, as the stars they trail,
Collot-d'Herbois' glorious Swiss.

~

Ode to Marie-Anne-Charlotte Corday, the young woman guillotined for assassinating Jacobin leader Jean-Paul Marat, one of the architects of the Reign of Terror, lambastes Marat and his cohorts, praises Corday, and regrets the impotence of those who stood by.

Ode to Marie-Anne-Charlotte Corday
by Andre Marie de Chenier

Le noir serpent, sorti de sa caverne impure,
A donc vu rompre enfin sous ta main ferme et sûre
le venimeux tissu de ses jours abhorrés!
Aux entrailles du tigre, à ses dents homicides,
Tu vins demander et les membres livides
Et le sang des humains qu'il avait dévorés!

La vertu seule est libre. Honneur de notre histoire,
Notre immortel opprobre y vit avec ta gloire.
Seule tu fus un homme, et vengea les humains.
Et nous, eunuques vils, troupeau lâche et sans âme,
Nous savons répéter quelques plaintes de femme,
Mais le fer pèserait à nos débiles mains.
. . . . .
Un scélérat de moins rampe dans cette fange.
La Vertu t'applaudit. De sa mâle louange
Entends, bell héroïne, entends l'auguste voix.
O Vertu, le poignard, seul espoir de la terre,
Est ton arme sacrée, alors que le tonnerre
Laisse régner le crime, et te vend à ses lois.

~

The black serpent, leaving his filthy cave,
Has finally suffered by your hand so sure and brave
The end of its venomous existence so despised!
From the tiger's guts, from his homicidal teeth
You came and drew what he'd devoured from beneath:
The blood and livid members of his victims sacrificed.

Virtue alone is free. Honor of our history,
Our immortal shame we live beside your glory.
Only you were a man, your knife did vengeance wreak;
And we, vile eunuchs, cowardly and soul-less cattle.
We can at best complain like women prattle,
But to wield a sword our hands would be too weak
. . . . .
In that mud crawls one scoundrel less.
Hear, lovely heroine, hear Virtue bless,
Hear the august voice of its virile praise.
Oh virtue, the dagger that hope will raise,
Is your sacred arm, when Heaven holds its thunder
And lets crime rule, while laws are cut asunder.

~

Arrested and tried for alleged crimes against the state Chénier died by guillotine on July 25, 1794, just days before the end of the Reign of Terror. He was 31 years old.

His fragmented works were first collected and published in 1819, and as many additional poems and fragments were discovered, the complete works of the poet were published in 1892.

He wrote in prison until his last day, lashing out against injustice and the atrocious acts of man.


Iambe V

Ils vivent cependant et de tant de victimes
Les cris ne montent point vers toi.
C'est un pauvre poète, ô grand Dieu des armées,
Que seul, captif, près de la mort,
Attachant à ses vers des ailes enflammées
De ton tonnerre qui s'endort,
De la vertu proscrite embrassant la défense,
Dé'nonce aux juges infernaux
Ces juges, ces jurés qui frappent l'innocence,
Hécatombe à leurs tribunaux.
Eh bien, fais-moi donc vivre, et cette horde impure
Sentira quels traits sont les miens.
Ils ne sont point cachés dans leur bassess impure;
Je le vois, j'accours, je les tiens.

~

Yet they live and their victims' throttled cries
Do not rise up to your exalted heights.
It is a poor poet, oh majestic god of the armies,
Who, alone, in prison, as death he fights,
Gluing to his verses the flaming wings
Of your thunder that no longer stings,
Of virtue exiled taking the defense,
Denounces to the judges of all hells
Those judges, those juries that strike innocence,
Creating a hecatomb at their tribunals.
Just let me stay alive, and that filthy breed
Will feel the power of my pen.
They cannot hide behind their dirty deed:
I see them, I rush in, I have them.

~
Iambe VII

Quand au mouton bêlant la sombre boucherie
Ouvre ses cavernes de mort,
Pâtres, cheins et moutons, toute la bergerie
Ne s'informe plus son sort...


~

When the somber slaughterhouse lets the bleating sheep
Into its dark and deadly gate,
Shepherds, dogs, and sheep, all of them keep
Their thoughts on any but their fate...

~

Iambe VIII

...Quelle sera la proie
Que la hache appelle aujourd'hui?
Chacun frissonne, écoute; et chacun avec joie
Voit que ce n'est pas encor lui:
Ce sera toi demain, insensible imbécile.


~

...Who will be the prey
On whom the ax will fall today?
Everybody shivers, listens, and is relieved to see
That the one called out is not yet he.
It will be you tomorrow, unfeeling fool.

~

Iambe IX (his last)

Comme un dernier rayon, comme un dernier zéphyre
Animent la fin d'un beau jour,
Au pied de l'échaufaud j'essaye encor ma lyre.
Peut-être est-ce bientôt mon tour.
. . . . .
Ma vie importe à la vertu.
Car l'honnête homme enfin, victime de l'outrage,
Dans les cachots, près du cercueil,
Relève plus altier son front et son langage.

Sauvez-moi. Conservez un bras
Qui lance votre foudre, un amant qui vous venge.
. . . . .
O ma plume! fiel, bile, horreur, Dieu de ma vie!
Par vous seuls je respire encor:
. . . . .
Nul ne resterait donc pour attendrir l'histoire
Sur tant de justes massacrés?
Pour consoler leurs fils, leurs veuves, leur mémoire,
Pour que des brigands abhorrés
Frémissent aux portraits noirs de leur ressemblance,
Pour descendre jusqu'aux enfers
Nouer le triple fouet, le fouet de la vengeance
Déjà levé sur ces pervers?
Pour cracher sur leurs noms, pour chanter leur supplice?
Allons, étouffe tes clameurs;
Souffre, ô coeur gros de haine, affamé de justice.
Toi, Vertu, pleure si je meurs.

~

Like a last ray of light, like a last summer breeze
Color the end of a beautiful day,
At the foot of the gallows once more my lyre I seize.
Perhaps I'll soon be on my way.
. . . . .
My life is Virtue's concern.
A decent man, whom outrage has fed,
In prison, awaiting his turn,
Lifts higher his speech and higher his head.

Save me. Preserve an arm
To hurl your thunderbolts, a lover to avenge you.
. . . . .
Oh my pen! poison, gall, horror, God of my life,
Through you alone I carry on my strife.
. . . . .
No one would remain and move history to record
About so many just people massacred?
To console their memory, their widows, their sons,
So that abhorrent highway brigands
Will tremble at their black portraits in paint?
To descend into hell, like a saint,
To tie the trifold whip, by vengeance praised,
Already on those perverts raised?
To spit on their names, to see their sentence carved?
Come now, stifle your cry;
Suffer, heart full of hate, for justice starved.
And you, Virtue, weep if I die.


--Cat

Sept. 9th - Mary Hunter Austin

Mary Hunter Austin (September 9, 1868 – August 13, 1934)

Illinois-born poet, novelist, playwright, at age twenty she moved with her family to California. Many of her works are based on her studies of Indian life in the Mojave Desert, about the land and the people she came to love. Her best known work is The Land of Little Rain, a tribute to the deserts of the Southwest.

She was known also for feminist essays and as a staunch defender of Native American and Spanish-American rights. She died in Santa Fe, New Mexico.



Some poetry by Mary Hunter Austin:


A Song In Time Of Depression

Now all my singing Dreams are gone,
But none knows where they have fled
Nor by what trails they have left me.

Return, O Dreams of my heart,
And sing in the Summer twilight,
By the creek and the almond thicket
And the field that is bordered with lupins!

Now is my refuge to seek
In the hollow of friendly shoulders,
Since the singing is stopped in my pulse
And the earth and the sky refuse me;
Now must I hold by the eyes of a friend
When the high white stars are unfriendly.

Over-sweet is the refuge for trusting;
Return and sing, O my Dreams,
In the dewy and palpitant pastures,
Till the love of living awakes
And the strength of the hills to uphold me.

From the Paiute.



Going West

Someday I shall go West,
Having won all time to love it in, at last,
Too still to boast.

But when I smell the sage,
When the long, marching landscape line
Melts into wreathing mountains,
And the dust cones dance,
Something in me that is of them will stir.

Happy if I come home
When the musk scented, moon-white gilia blows,
When all the hills are blue, remembering
The sea from which they rose.
Happy again,
When blunt faced bees carouse
In the red flagons of the incense shrub,
Or apricots have lacquered boughs,
And trails are dim with rain!

Lay me where some contented oak can prove
How much of me is nurture for a tree;
Sage thoughts of mine
Be acorn clusters for the deer to browse.
My loving whimsies -- Will you chide again
When they come up as lantern flowers?

I shall be small and happy as the grass,
Proud if my tip
Stays the white, webby moons the spider weaves,
Where once you trod
Or down my bleaching stalks shall slip
The light, imprisoning dew.
I shall be bluets in the April sod!

Or if the wheel should turn too fast,
Run up and rest
As a sequoia for a thousand years!



Inyo

Far from the northward, from the cloven ridges,
Pine-girt, deep-drifted with bewildering snows,
By ice-plowed gorge, the leaping river bridges,
Light span by span, from lake to lake below,
By mountain meadow, and the snow-fed hollow
Where birch and buckthorn thicket mark the trail,
Spurning the tawny hills in haste to follow
The long, brown reaches of a desert vale.

To east and west roll up the purple ranges,
Foot bound about by leopard-colored hills;
From east to west their serrate shadow changes;
From west to east stream down the tumbling rills.
Mocking the shadeless slopes and sullen ledges,
Through the sunburnt wastes of sage and yellow sand,
Run down to meet thy willows and thy sedges, --
O lonely river in a lonely land!

Foamless and swift thy winding waters follow
To find, unbosomed to the wind-swept skies,
The great lake lapping in a tideless hollow,
Wanton to each day's changes as they rise, --
Purpling to meet the splendor of their mornings,
Paling to catch their tender mid-day blue,
Trembling alike to smilings and to scornings, --
Fleet light of loves, it cannot hold one true.

Like some great lioness beside the river,
With passion slumbering in her half-shut eyes,
Watching the light from heated sands up-quiver,
Untamed and barren, lone the valley lies.
Forego, O River, all the wrong you do her,
Hasting your waters to the bitter lake,
Rise from your reedy marges and subdue her,
So shall the land be fertile for your sake.



Medicine Song: To Be Sung In Time Of Evil Fortune

Medicine me,
O Friend-of-the-Soul-of-Man,
With purging waters!
For my soul festers
And an odor of corruption
Betrays me to disaster.

As a place of carrion
Where buzzards are gathered,
So is my path
Overshadowed by evil adventures;
Meanness, betrayal, and spite
Flock under heaven
To make me aware
Of sickness and death within me.

Medicine my soul, O friend,
With waters of cleansing;
Then shall my way shine,
And my nights no longer
Be full of the dreadful sound
Of the wings of unsuccesses.



The Heart's Friend

Fair is the white star of twilight,
and the sky clearer
At the day's end;
But she is fairer, and she is dearer.
She, my heart's friend!

Far stars and fair in the skies bending,
Low stars of hearth fires and wood smoke ascending,
The meadow-lark's nested,
The night hawk is winging;
Home through the star-shine the hunter comes singing.

Fair is the white star of twilight,
And the moon roving
To the sky's end;
But she is fairer, better worth loving,
She, my heart's friend.

Shoshone Love Song.



Winter In The Sierras

The pines are black on Sierra's slope,
And white are the drifted snows;
The flowers are gone, the buckthorn bare,
And chilly the north wind blows.
The pine-boughs creak,
And the pine-trees speak
A language the north wind knows.

There's never a track leads in or out
Of the cave of the big brown bear;
The squirrels have hid in their deepest holes,
And fastened the doors with care.
The red fox prowls,
And the lean wolf howls
As he hunts far down from the lair.

The eagle hangs on the wing all day,
On the chance of a single kill;
The little gray hawk hunts far and wide
Before he can get his fill.
The snow-wreaths sift,
And the blown snows drift
To the canyons deep and still.


--Cat

Aug 15th - Sir Walter Scott

Sir Walter Scott
Aug 15 1771 - September 21, 1832

Scottish novelist and poet

His historical novels include such classics as Ivanhoe, Rob Roy, The Lady of the Lake, The Bride of Lammermoor. His Life of Napoleon was published in nine volumes in 1827


Some poetry:

County Guy
by Sir Walter Scott

Ah! County Guy, the hour is nigh,
The sun has left the lea,
The orange flower perfumes the bower,
The breeze is on the sea.
The lark his lay who thrill'd all day
Sis hush'd his partner nigh:
Breeze, bird, and flower confess the hour,
But where is County Guy?

The village maid steals through the shade,
Her shepherd's suit to hear;
To beauty shy, by lattice high,
Sings high-born Cavalier.
The star of Love, all stars above
Now reigns o'er earth and sky;
And high and low the influence know--
But where is County Guy?


The Troubadour
by Sir Walter Scott

Glowing with love, on fire for fame
A Troubadour that hated sorrow
Beneath his lady's window came,
And thus he sung his last good-morrow:
"My arm it is my country's right,
My heart is in my true-love's bower;
Gaily for love and fame to fight
Befits the gallant Troubadour."

And while he marched with helm on head
And harp in hand, the descant rung,
As faithful to his favourite maid,
The minstrel-burden still he sung:
"My arm it is my country's right,
My heart is in my lady's bower;
Resolved for love and fame to fight
I come, a gallant Troubadour."

Even when the battle-roar was deep,
With dauntless heart he hewed his way,
'Mid splintering lance and falchion-sweep,
And still was heard his warrior-lay:
"My life it is my country's right,
My heart is in my lady's bower;
For love to die, for fame to fight,
Becomes the valiant Troubadour."

Alas! upon the bloody field
He fell beneath the foeman's glaive,
But still reclining on his shield,
Expiring sung the exulting stave:-
"My life it is my country's right,
My heart is in my lady's bower;
For love and fame to fall in fight
Becomes the valiant Troubadour."


Lochinvar
by Sir Walter Scott

O young Lochinvar is come out of the west,
Through all the wide Border his steed was the best;
And save his good broadsword he weapons had none,
He rode all unarm'd, and he rode all alone.
So faithful in love, and so dauntless in war,
There never was knight like the young Lochinvar.
He staid not for brake, and he stopp'd not for stone,
He swam the Eske river where ford there was none;
But ere he alighted at Netherby gate,
The bride had consented, the gallant came late:
For a laggard in love, and a dastard in war,
Was to wed the fair Ellen of brave Lochinvar.

So boldly he enter'd the Netherby Hall,
Among bride's-men, and kinsmen, and brothers and all:
Then spoke the bride's father, his hand on his sword,
(For the poor craven bridegroom said never a word,)
"O come ye in peace here, or come ye in war,
Or to dance at our bridal, young Lord Lochinvar?"

"I long woo'd your daughter, my suit you denied; --
Love swells like the Solway, but ebbs like its tide --
And now I am come, with this lost love of mine,
To lead but one measure, drink one cup of wine.
There are maidens in Scotland more lovely by far,
That would gladly be bride to the young Lochinvar."

The bride kiss'd the goblet: the knight took it up,
He quaff'd off the wine, and he threw down the cup.
She look'd down to blush, and she look'd up to sigh,
With a smile on her lips and a tear in her eye.
He took her soft hand, ere her mother could bar, --
"Now tread we a measure!" said young Lochinvar.

So stately his form, and so lovely her face,
That never a hall such a gailiard did grace;
While her mother did fret, and her father did fume
And the bridegroom stood dangling his bonnet and plume;
And the bride-maidens whisper'd, "'twere better by far
To have match'd our fair cousin with young Lochinvar."

One touch to her hand, and one word in her ear,
When they reach'd the hall-door, and the charger stood near;
So light to the croupe the fair lady he swung,
So light to the saddle before her he sprung!
"She is won! we are gone, over bank, bush, and scaur;
They'll have fleet steeds that follow," quoth young Lochinvar.

There was mounting 'mong Graemes of the Netherby clan;
Forsters, Fenwicks, and Musgraves, they rode and they ran:
There was racing and chasing on Cannobie Lee,
But the lost bride of Netherby ne'er did they see.
So daring in love, and so dauntless in war,
Have ye e'er heard of gallant like young Lochinvar?


My Native Land
by Sir Walter Scott

Breathes there the man, with soul so dead,
Who never to himself hath said,
This is my own, my native land!
Whose heart hath ne'er within him burn'd,
As home his footsteps he hath turn'd
From wandering on a foreign strand!
If such there breathe, go, mark him well;
For him no Minstrel raptures swell;
High though his titles, proud his name,
Boundless his wealth as wish can claim;
Despite those titles, power, and pelf,
The wretch, concentred all in self,
Living, shall forfeit fair renown,
And, doubly dying, shall go down
To the vile dust, from whence he sprung,
Unwept, unhonour'd, and unsung.


--Cat

Summer Poetry

Moonlight, summer moonlight by Emily Bronte

'Tis moonlight, summer moonlight,
All soft and still and fair;
The solemn hour of midnight
Breathes sweet thoughts everywhere,

But most where trees are sending
Their breezy boughs on high,
Or stooping low are lending
A shelter from the sky.

And there in those wild bowers
A lovely form is laid;
Green grass and dew-steeped flowers
Wave gently round her head.



The Summer Rain by Henry David Thoreau

My books I'd fain cast off, I cannot read,
'Twixt every page my thoughts go stray at large
Down in the meadow, where is richer feed,
And will not mind to hit their proper targe.
Plutarch was good, and so was Homer too,
Our Shakespeare's life were rich to live again,
What Plutarch read, that was not good nor true,
Nor Shakespeare's books, unless his books were men.

Here while I lie beneath this walnut bough,
What care I for the Greeks or for Troy town,
If juster battles are enacted now
Between the ants upon this hummock's crown?

Bid Homer wait till I the issue learn,
If red or black the gods will favor most,
Or yonder Ajax will the phalanx turn,
Struggling to heave some rock against the host.

Tell Shakespeare to attend some leisure hour,
For now I've business with this drop of dew,
And see you not, the clouds prepare a shower--
I'll meet him shortly when the sky is blue.

This bed of herd's grass and wild oats was spread
Last year with nicer skill than monarchs use.
A clover tuft is pillow for my head,
And violets quite overtop my shoes.

And now the cordial clouds have shut all in,
And gently swells the wind to say all's well;
The scattered drops are falling fast and thin,
Some in the pool, some in the flower-bell.

I am well drenched upon my bed of oats;
But see that globe come rolling down its stem,
Now like a lonely planet there it floats,
And now it sinks into my garment's hem.

Drip drip the trees for all the country round,
And richness rare distills from every bough;
The wind alone it is makes every sound,
Shaking down crystals on the leaves below.

For shame the sun will never show himself,
Who could not with his beams e'er melt me so;
My dripping locks--they would become an elf,
Who in a beaded coat does gayly go.



A Summer Day by Lucy Maud Montgomery

I
The dawn laughs out on orient hills
And dances with the diamond rills;
The ambrosial wind but faintly stirs
The silken, beaded gossamers;
In the wide valleys, lone and fair,
Lyrics are piped from limpid air,
And, far above, the pine trees free
Voice ancient lore of sky and sea.
Come, let us fill our hearts straightway
With hope and courage of the day.

II
Noon, hiving sweets of sun and flower,
Has fallen on dreams in wayside bower,
Where bees hold honeyed fellowship
With the ripe blossom of her lip;
All silent are her poppied vales
And all her long Arcadian dales,
Where idleness is gathered up
A magic draught in summer's cup.
Come, let us give ourselves to dreams
By lisping margins of her streams.

III
Adown the golden sunset way
The evening comes in wimple gray;
By burnished shore and silver lake
Cool winds of ministration wake;
O'er occidental meadows far
There shines the light of moon and star,
And sweet, low-tinkling music rings
About the lips of haunted springs.
In quietude of earth and air
'Tis meet we yield our souls to prayer.



Summer Wind by William Cullen Bryant

It is a sultry day; the sun has drank
The dew that lay upon the morning grass,
There is no rustling in the lofty elm
That canopies my dwelling, and its shade
Scarce cools me. All is silent, save the faint
And interrupted murmur of the bee,
Settling on the sick flowers, and then again
Instantly on the wing. The plants around
Feel the too potent fervors; the tall maize
Rolls up its long green leaves; the clover droops
Its tender foliage, and declines its blooms.
But far in the fierce sunshine tower the hills,
With all their growth of woods, silent and stern,
As if the scortching heat and dazzling light
Were but an element they loved. Bright clouds,
Motionless pillars of the brazen heaven;--
Their bases on the mountains--their white tops
Shining in the far ether--fire the air
With a reflected radiance, and make turn
The gazer's eye away. For me, I lie
Languidly in the shade, where the thick turf,
Yet virgin from the kisses of the sun,
Retains some freshness, and I woo the wind
That still delays its coming. Why so slow,
Gentle and voluble spirit of the air?
Oh, come and breathe upon the fainting earth
Coolness and life. Is it that in his caves
He hears me? See, on yonder woody ridge,
The pine is bending his proud top, and now,
Among the nearer groves, chesnut and oak
Are tossing their green boughs about. He comes!
Lo, where the grassy meadow runs in wives!
The deep distressful silence of the scene
Breaks up with mingling of unnumbered sounds
And universal motion. He is come,
Shaking a shower of blossoms from the shrubs,
And bearing on the fragrance; and he brings
Music of birds, and rustling of young boughs,
And soun of swaying branches, and the voice
Of distant waterfalls. All the green herbs
Are stirring in his breath; a thousand flowers,
By the road-side and the borders of the brook,
Nod gaily to each other; glossy leaves
Are twinkling in the sun, as if the dew
Were on them yet, and silver waters break
Into small waves and sparkle as he comes.



A Summer Afternoon by James Whitcomb Riley

A languid atmosphere, a lazy breeze,
With labored respiration, moves the wheat
From distant reaches, till the golden seas
Break in crisp whispers at my feet.

My book, neglected of an idle mind,
Hides for a moment from the eyes of men;
Or lightly opened by a critic wind,
Affrightedly reviews itself again.

Off through the haze that dances in the shine
The warm sun showers in the open glade,
The forest lies, a silhouette design
Dimmed through and through with shade.

A dreamy day; and tranquilly I lie
At anchor from all storms of mental strain;
With absent vision, gazing at the sky,
"Like one that hears it rain."

The Katydid, so boisterous last night,
Clinging, inverted, in uneasy poise,
Beneath a wheat-blade, has forgotten quite
If "Katy DID or DIDN'T" make a noise.

The twitter, sometimes, of a wayward bird
That checks the song abruptly at the sound,
And mildly, chiding echoes that have stirred,
Sink into silence, all the more profound.

And drowsily I hear the plaintive strain
Of some poor dove . . . Why, I can scarcely keep
My heavy eyelids--there it is again--
"Coo-coo!"--I mustn't--"Coo-coo!"--fall asleep!


--Cat

Robinson Jeffers

(Yes, I've featured him before, but he remains my favorite poet)

Robinson Jeffers 1937, photograph by Carl Van Vechten

John Robinson Jeffers (January 10, 1887–January 20, 1962)

Besides his evocative poetry depicting nature, raw and beautiful, and his home in Carmel, California, Jeffers wrote about his pacifist anti-war stance.


The Answer
by Robinson Jeffers

Then what is the answer?- Not to be deluded by dreams.
To know that great civilizations have broken down into violence,
and their tyrants come, many times before.
When open violence appears, to avoid it with honor or choose
the least ugly faction; these evils are essential.
To keep one's own integrity, be merciful and uncorrupted
and not wish for evil; and not be duped
By dreams of universal justice or happiness. These dreams will
not be fulfilled.
To know this, and know that however ugly the parts appear
the whole remains beautiful. A severed hand
Is an ugly thing and man dissevered from the earth and stars
and his history... for contemplation or in fact...
Often appears atrociously ugly. Integrity is wholeness,
the greatest beauty is
Organic wholeness, the wholeness of life and things, the divine beauty
of the universe. Love that, not man
Apart from that, or else you will share man's pitiful confusions,
or drown in despair when his days darken.



The Machine
by Robinson Jeffers

The little biplane that has the river-meadow for landing-field
And carries passengers brief rides,
Buzzed overhead on the tender blue above the orange of sundown.
Below it five troubled night-herons
Turned short over the shore from its course, four east, one northward.
Beyond them
Swam the new moon in amber.
I don't know why, but lately the forms of things appear to me with time
One of their visible dimensions.
The thread brightness of the bent moon appeared enormous, unnumbered
Ages of years; the night-herons
Their natural size, they have croaked over the shore in the hush at sundown
Much longer than human language
Has fumbled with the air: but the plane having no past but a certain future,
Insect in size as in form,
Was also accepted, all these forms of power placed without preference
In the grave arrangement of the evening.



The Eye
by Robinson Jeffers

The Atlantic is a stormy moat; and the Mediterranean,
The blue pool in the old garden,
More than five thousand years has drunk sacrifice
Of ships and blood, and shines in the sun; but here the Pacific--
Our ships, planes, wars are perfectly irrelevant.
Neither our present blood-feud with the brave dwarfs
Nor any future world-quarrel of westering
And eastering man, the bloody migrations, greed of power, clash of
faiths--
Is a speck of dust on the great scale-pan.
Here from this mountain shore, headland beyond stormy headland
plunging like dolphins through the blue sea-smoke
Into pale sea--look west at the hill of water: it is half the
planet:
this dome, this half-globe, this bulging
Eyeball of water, arched over to Asia,
Australia and white Antartica: those are the eyelids that never
close;
this is the staring unsleeping
Eye of the earth; and what it watches is not our wars.



Return
by Robinson Jeffers

A little too abstract, a little too wise,
It is time for us to kiss the earth again,
It is time to let the leaves rain from the skies,
Let the rich life run to the roots again.
I will go to the lovely Sur Rivers
And dip my arms in them up to the shoulders.
I will find my accounting where the alder leaf quivers
In the ocean wind over the river boulders.
I will touch things and things and no more thoughts,
That breed like mouthless May-flies darkening the sky,
The insect clouds that blind our passionate hawks
So that they cannot strike, hardly can fly.
Things are the hawk's food and noble is the mountain, Oh noble
Pico Blanco, steep sea-wave of marble.




End Of The World
by Robinson Jeffers

When I was young in school in Switzerland, about the time of the Boer War,
We used to take it for known that the human race
Would last the earth out, not dying till the planet died. I wrote a schoolboy poem
About the last man walking in stoic dignity along the dead shore
Of the last sea, alone, alone, alone, remembering all
His racial past. But now I don't think so. They'll die faceless in flocks,
And the earth flourish long after mankind is out.




Let Them Alone
by Robinson Jeffers

If God has been good enough to give you a poet
Then listen to him. But for God's sake let him alone until he is dead;
no prizes, no ceremony,
They kill the man. A poet is one who listens
To nature and his own heart; and if the noise of the world grows up
around him, and if he is tough enough,
He can shake off his enemies, but not his friends.
That is what withered Wordsworth and muffled Tennyson, and would have
killed Keats; that is what makes
Hemingway play the fool and Faulkner forget his art.



--Cat