Sunday, December 30, 2007

Happy 2008

A poem to bring in the New Year:


From 1850 -- Do people's hopes, dreams, wistful desires ever change?

"Ring out, wild bells" from In Memoriam
by Lord Alfred Tennyson (1809-1892)


Ring out, wild bells, to the wild sky,
The flying cloud, the frosty light:
The year is dying in the night;
Ring out, wild bells, and let him die.

Ring out the old, ring in the new,
Ring, happy bells, across the snow:
The year is going, let him go;
Ring out the false, ring in the true.

Ring out the grief that saps the mind
For those that here we see no more;
Ring out the feud of rich and poor,
Ring in redress to all mankind.

Ring out a slowly dying cause,
And ancient forms of party strife;
Ring in the nobler modes of life,
With sweeter manners, purer laws.

Ring out the want, the care, the sin,
The faithless coldness of the times;
Ring out, ring out my mournful rhymes
But ring the fuller minstrel in.

Ring out false pride in place and blood,
The civic slander and the spite;
Ring in the love of truth and right,
Ring in the common love of good.

Ring out old shapes of foul disease;
Ring out the narrowing lust of gold;
Ring out the thousand wars of old,
Ring in the thousand years of peace.

Ring in the valiant man and free,
The larger heart, the kindlier hand;
Ring out the darkness of the land,
Ring in the Christ that is to be.


--Cat

Tuesday, December 18, 2007

Christmas 2007

I can't resist the older classics, and a new one I came across--


Voices in the Mist
by Alfred, Lord Tennyson

The time draws near the birth of Christ:
The moon is hid; the night is still;
The Christmas bells from hill to hill
Answer each other in the mist.

Four voices of four hamlets round,
From far and near, on mead and moor,
Swell out and fail, as if a door
Were shut between me and the sound:

Each voice four changes on the wind,
That now dilate, and now decrease,
Peace and goodwill, goodwill and peace,
Peace and goodwill, to all mankind.



Christmas Bells
by Henry Wadsworth Longfellow

I heard the bells on Christmas Day
Their old, familiar carols play,
And wild and sweet
The words repeat
Of peace on earth, good-will to men!
And thought how, as the day had come,
The belfries of all Christendom
Had rolled along
The unbroken song
Of peace on earth, good-will to men!

Till, ringing, singing on its way
The world revolved from night to day,
A voice, a chime,
A chant sublime
Of peace on earth, good-will to men!

Then from each black, accursed mouth
The cannon thundered in the South,
And with the sound
The Carols drowned
Of peace on earth, good-will to men!

And in despair I bowed my head;
‘There is no peace on earth,’ I said;
‘For hate is strong,
And mocks the song
Of peace on earth, good-will to men!’

Then pealed the bells more loud and deep:
‘God is not dead; nor doth he sleep!
The Wrong shall fail,
The Right prevail,
With peace on earth, good-will to men!’



I found the following poem on a website by poet NicholasGordon
who offers free use of his vast body of work.


Evidence of Paradise


by Nicholas Gordon

Evidence of paradise
Veils its rainbowed wings,
Enters life like one of us,
Like spirit wrapped in things.
Yet angels sing in Bethlehem
No more than in Mobile,
And kings careen through Rocky Mount
No less than through Jezreel.
Dream, then, of the bitter wind,
Nights for which one yearns
In sorrow and unsullied joy,
Child on whom life turns,
Older than the universe,
Love haunting, hurting, healing, worse,
An anguished joy one can't reverse
So long as blood still burns.



Peace

--Cat

Tuesday, November 13, 2007

Nov. 13 - Robert Louis Stevenson


Robert Louis Stevenson
November 13, 1850 Edinburgh, Scotland -- December 3, 1894, Samoa


Better known for his tales of mystery such as The Strange Case of Dr. Jekyll and Mr. Hyde (1886), and adventure such as Treasure Island (1883), Kidnapped (1886), The Master of Ballantrae (1889), etc. he also wrote short stories and was a prolific travel writer and poet.

When he died suddenly of a stroke at the age of 44, the natives of Samoa carried his body to the peak of Mount Vaea, where they buried him. His poem Requiem is inscribed on his gravestone as an epitaph:

Requiem

Under the wide and starry sky,
Dig the grave and let me lie.
Glad did I live, and gladly die,
And I laid me down with a will.

This be the verse you grave for me:
Here he lies where he longed to be.
Home is the sailor, home from the sea,
And the hunter home from the hill.


~I love that beautiful poem!

Some years ago when my children were small I bought Stevenson's A Child's Garden of Verses and discovered I was familiar with, but hadn't known who authored, many of these delightful, whimsical works.

Here are some of them:

From A Child's Garden of Verses (1885)

At the Sea-side

When I was down beside the sea
A wooden spade they gave to me
To dig the sandy shore.

My holes were empty like a cup.
In every hole the sea came up,
Till it could come no more.


Bed in Summer

In winter I get up at night
And dress by yellow candle-light.
In summer quite the other way,
I have to go to bed by day.

I have to go to bed and see
The birds still hopping on the tree,
Or hear the grown-up people's feet
Still going past me in the street.

And does it not seem hard to you,
When all the sky is clear and blue,
And I should like so much to play,
To have to go to bed by day?



My Shadow

I have a little shadow that goes in and out with me,
And what can be the use of him is more than I can see.
He is very, very like me from the heels up to the head;
And I see him jump before me, when I jump into my bed.

The funniest thing about him is the way he likes to grow--
Not at all like proper children, which is always very slow;
For he sometimes shoots up taller like an india-rubber ball,
And he sometimes goes so little that there's none of him at all.

He hasn't got a notion of how children ought to play,
And can only make a fool of me in every sort of way.
He stays so close behind me, he's a coward you can see;
I'd think shame to stick to nursie as that shadow sticks to me!

One morning, very early, before the sun was up,
I rose and found the shining dew on every buttercup;
But my lazy little shadow, like an arrant sleepy-head,
Had stayed at home behind me and was fast asleep in bed.


The Swing

How do you like to go up in a swing,
Up in the air so blue?
Oh, I do think it the pleasantest thing
Ever a child can do!

Up in the air and over the wall,
Till I can see so wide,
River and trees and cattle and all
Over the countryside--

Till I look down on the garden green,
Down on the roof so brown--
Up in the air I go flying again,
Up in the air and down!


Rain

The rain is falling all around,
It falls on field and tree,
It rains on the umbrellas here,
And on the ships at sea.



--Cat

Sunday, November 11, 2007

Remembrance Day Poets






Keith Douglas
(Jan 4, 1920 - June 9, 1944) The most famous English poet of WWII, he was killed in Normandy.



To Restore a Dead Child

by Keith Douglas
Sometimes while I sleep
I hear the single cry and the tire screek
that never end.
My blond and foolish brown-eyed brother
lugging his fretful love
shambles after me
as the cunning Mack truck
lurching out of nowhere
cuts him down.

He's a long dead almost-three.
I'm a long lived five
just turned sixty-one
still running in a dead heat
with the rolling cab that swooped him up
heading for the vanished hospital.


It's then on waking
I feel the snot of infant faces
leak into my mouth.



1925




Vergissmeinnicht (Forget-me-not)
Elegy for an 88 Gunner

by Keith Douglas
Three weeks gone and the combatants gone
returning over the nightmare ground
we found the place again, and found
the soldier sprawling in the sun.


The frowning barrel of his gun
overshadowing. As we came on
that day, he hit my tank with one
like the entry of a demon.


Look. Here in the gunpit spoil
the dishonoured picture of his girl
who has put: Steffi. Vergissmeinnicht
in a copybook gothic script.


We see him almost with content,
abased, and seeming to have paid
and mocked at by his own equipment
that's hard and good when he's decayed.


But she would weep to see today
how on his skin the swart flies move;
the dust upon the paper eye
and the burst stomach like a cave.


For here the lover and killer are mingled
who had one body and one heart.
And death who had the soldier singled
has done the lover mortal hurt.






~


Sidney Arthur Kilworth Keyes (May 27, 1922 - 19 April 1943) joined the army in 1942 and fought in Tunis as a lieutenant in the West Kent Regiment. He was killed in action one month before his 21st birthday.



War Poet

by Sidney Keyes

I am the man who looked for peace and found

My own eyes barbed,
I am the man who groped for words and found
An arrow in my hand.
I am the builder whose firm walls surround
A slipping land.
When I grow sick or mad
Mock me not nor chain me:
When I reach for the wind
Cast me not down:
Though my face is a burnt book
And a wasted town.
Leave

- 1942


--Cat

Friday, October 19, 2007

Oct. 19 - Leigh Hunt

James Henry Leigh Hunt (October 19, 1784 – August 28, 1859)
English essayist, poet and writer

I recall reading, and enjoying, his poetry when I was young -- perhaps in grade school.

Abou Ben Adhem

Abou Ben Adhem (may his tribe increase!)
Awoke one night from a deep dream of peace,
And saw, within the moonlight in his room,
Making it rich, and like a lily in bloom,
An angel writing in a book of gold:—
Exceeding peace had made Ben Adhem bold,
And to the Presence in the room he said
"What writest thou?"—The vision raised its head,
And with a look made of all sweet accord,
Answered "The names of those who love the Lord."
"And is mine one?" said Abou. "Nay, not so,"
Replied the angel. Abou spoke more low,
But cheerly still, and said "I pray thee, then,
Write me as one that loves his fellow men."

The angel wrote, and vanished. The next night
It came again with a great wakening light,
And showed the names whom love of God had blessed,
And lo! Ben Adhem's name led all the rest.




The Glove And The Lions

King Francis was a hearty king, and loved a royal sport,
And one day, as his lions fought, sat looking on the court.
The nobles filled the benches, with the ladies in their pride,
And ‘mongst them sat the Count de Lorge, with one for whom he sighed:
And truly ’twas a gallant thing to see that crowning show,
Valor and love, and a king above, and the royal beasts below.

Ramped and roared the lions, with horrid laughing jaws;
They bit, they glared, gave blows like beams, a wind went with their paws;
With wallowing might and stifled roar they rolled on one another,
Till all the pit with sand and mane was in a thunderous smother;
The bloody foam above the bars came whisking through the air;
Said Francis then, “Faith, gentlemen, we’re better here than there.”

De Lorge’s love o’er heard the King, a beauteous lively dame,
With smiling lips and sharp bright eyes, which always seemed the same;
She thought, The Count my lover is brave as brave can be;
He surely would do wondrous things to show his love of me;
King, ladies, lovers, all look on; the occasion is divine;
I’ll drop my glove, to prove his love; great glory will be mine.

She dropped her glove, to prove his love, then looked at him and smiled;
He bowed, and in a moment leaped among the lions wild:
The leap was quick, return was quick, he has regained his place,
Then threw the glove, but not with love, right in the lady’s face.
“By Heaven,” said Francis, “rightly done!” and he rose from where he sat;
“No love,” quoth he, “but vanity, sets love a task like that.”




A Night-Rain In Summer

Open the window, and let the air
Freshly blow upon face and hair,
And fill the room, as it fills the night,
With the breath of the rain’s sweet might.
Hark! the burthen, swift and prone!
And how the odorous limes are blown!
Stormy Love’s abroad, and keeps
Hopeful coil for gentle sleeps.

Not a blink shall burn to-night
In my chamber, of sordid light;
Nought will I have, not a window-pane,
‘Twixt me and the air and the great good rain,
Which ever shall sing me sharp lullabies;
And God’s own darkness shall close mine eyes;
And I will sleep, with all things blest,
In the pure earth-shadow of natural rest.






--Cat

Monday, September 03, 2007

Edward Lear



Edward Lear (12 May 1812 – 29 January 1888)

Born in London, Lear was an artist, illustrator and writer best known for his works of literary nonsense, and his limericks, a form which he popularized.

I've added a pair of his poems, one which most of us read in school, and another that illustrates Lear's gift creating nonsensical words and whimsical stories. (A forerunner of sorts for Dr. Seuss?)







The Owl And The Pussy-Cat

I
The Owl and the Pussy-cat went to sea
In a beautiful pea green boat,
They took some honey, and plenty of money,
Wrapped up in a five pound note.
The Owl looked up to the stars above,
And sang to a small guitar,
'O lovely Pussy! O Pussy my love,
What a beautiful Pussy you are,
You are,
You are!
What a beautiful Pussy you are!'

II
Pussy said to the Owl, 'You elegant fowl!
How charmingly sweet you sing!
O let us be married! too long we have tarried:
But what shall we do for a ring?'
They sailed away, for a year and a day,
To the land where the Bong-tree grows
And there in a wood a Piggy-wig stood
With a ring at the end of his nose,
His nose,
His nose,
With a ring at the end of his nose.

III
'Dear pig, are you willing to sell for one shilling
Your ring?'Said the Piggy,'I will.'
So they took it away, and were married next day
By the Turkey who lives on the hill.
They dined on mince, and slices of quince,
Which they ate with a runcible spoon;
And hand in hand, on the edge of the sand,
They danced by the light of the moon,
The moon,
The moon,
They danced by the light of the moon.





The Dong with a Luminous Nose


When awful darkness and silence reign
Over the great Gromboolian plain,
Through the long, long wintry nights; --
When the angry breakers roar
As they beat on the rocky shore; --
When Storm-clouds brood on the towering heights
Of the Hills of the Chankly Bore: --


Then, through the vast and gloomy dark,
There moves what seems a fiery spark,
A lonely spark with silvery rays
Piercing the coal-black night, --
A Meteor strange and bright: --
Hither and thither the vision strays,
A single lurid light.


Slowly it wanders, -- pauses, -- creeps, --
Anon it sparkles, -- flashes and leaps;
And ever as onward it gleaming goes
A light on the Bong-tree stems it throws.
And those who watch at that midnight hour
From Hall or Terrace, or lofty Tower,
Cry, as the wild light passes along, --
"The Dong! -- the Dong!
"The wandering Dong through the forest goes!
"The Dong! the Dong!
"The Dong with a luminous Nose!"


Long years ago
The Dong was happy and gay,
Till he fell in love with a Jumbly Girl
Who came to those shores one day.
For the Jumblies came in a sieve, they did, --
Landing at eve near the Zemmery Fidd
Where the Oblong Oysters grow,
And the rocks are smooth and gray.
And all the woods and the valleys rang
With the Chorus they daily and nightly sang, --
"Far and few, far and few,
Are the lands where the Jumblies live;
Their heads are green, and the hands are blue
And they went to sea in a sieve.


Happily, happily passed those days!
While the cheerful Jumblies staid;
They danced in circlets all night long,
To the plaintive pipe of the lively Dong,
In moonlight, shine, or shade.
For day and night he was always there
By the side of the Jumbly Girl so fair,
With her sky-blue hands, and her sea-green hair.
Till the morning came of that hateful day
When the Jumblies sailed in their sieve away,
And the Dong was left on the cruel shore
Gazing -- gazing for evermore, --
Ever keeping his weary eyes on
That pea-green sail on the far horizon, --
Singing the Jumbly Chorus still
As he sate all day on the grassy hill, --
"Far and few, far and few,
Are the lands where the Jumblies live;
Their heads are green, and the hands are blue
And they went to sea in a sieve.

But when the sun was low in the West,
The Dong arose and said;
-- "What little sense I once possessed
Has quite gone out of my head!" --
And since that day he wanders still
By lake and dorest, marsh and hills,
Singing -- "O somewhere, in valley or plain
"Might I find my Jumbly Girl again!
"For ever I'll seek by lake and shore
"Till I find my Jumbly Girl once more!"


Playing a pipe with silvery squeaks,
Since then his Jumbly Girl he seeks,
And because by night he could not see,
He gathered the bark of the Twangum Tree
On the flowery plain that grows.
And he wove him a wondrous Nose, --
A Nose as strange as a Nose could be!
Of vast proportions and painted red,
And tied with cords to the back of his head.
-- In a hollow rounded space it ended
With a luminous Lamp within suspended,
All fenced about
With a bandage stout
To prevent the wind from blowing it out; --
And with holes all round to send the light,
In gleaming rays on the dismal night.

And now each night, and all night long,
Over those plains still roams the Dong;
And above the wail of the Chimp and Snipe
You may hear the squeak of his plaintive pipe
While ever he seeks, but seeks in vain
To meet with his Jumbly Girl again;
Lonely and wild -- all night he goes, --
The Dong with a luminous Nose!
And all who watch at the midnight hour,
From Hall or Terrace, or lofty Tower,
Cry, as they trace the Meteor bright,
Moving along through the dreary night, --
"This is the hour when forth he goes,
"The Dong with a luminous Nose!
"Yonder -- over the plain he goes;
"He goes!
"He goes;
"The Dong with a luminous Nose!"




On a dreary, dark day these poems make me smile.

--Cat

Wednesday, August 08, 2007

August 8 - Sara Teasdale


Sara Teasdale August 8, 1884- January 29, 1933

American lyric poet, born in St. Louis, Missouri. Her delicate, personal poetry often deals with love, death, disillusionment, and also the beauties of the natural world. She ended her life by suicide at the age of 48.

Some of Sara Teasdale's poems:

Longing

I am not sorry for my soul
That it must go unsatisfied,
For it can live a thousand times,
Eternity is deep and wide.

I am not sorry for my soul,
But oh, my body that must go
Back to a little drift of dust
Without the joy it longed to know.


Immortal

So soon my body will have gone
Beyond the sound and sight of men,
And tho' it wakes and suffers now,
Its sleep will be unbroken then;
But oh, my frail immortal soul
That will not sleep forevermore,
A leaf borne onward by the blast,
A wave that never finds the shore.


If Death Is Kind

Perhaps if Death is kind, and there can be returning,
We will come back to earth some fragrant night,
And take these lanes to find the sea, and bending
Breathe the same honeysuckle, low and white.

We will come down at night to these resounding beaches
And the long gentle thunder of the sea,
Here for a single hour in the wide starlight
We shall be happy, for the dead are free.


Barter

Life has loveliness to sell,
All beautiful and splendid things;
Blue waves whitened on a cliff,
Soaring fire that sways and sings,
And children's faces looking up,
Holding wonder like a cup.

Life has loveliness to sell;
Music like a curve of gold,
Scent of pine trees in the rain,
Eyes that love you, arms that hold,
And, for the Spirit's still delight,
Holy thoughts that star the night.

Give all you have for loveliness;
Buy it, and never count the cost!
For one white, singing hour of peace
Count many a year of strife well lost;
And for a breath of ecstasy,
Give all you have been, or could be.


At Midnight

Now at last I have come to see what life is,
Nothing is ever ended, everything only begun,
And the brave victories that seem so splendid
Are never really won.

Even love that I built my spirit's house for,
Comes like a brooding and a baffled guest,
And music and men's praise and even laughter
Are not so good as rest.


-- Cat

Saturday, July 28, 2007

Editing Shakespeare

I came across this funny skit with Rowan Atkinson and Hugh Laurie. Hamlet has long been one of my favorite Shakespeare plays.



-- Cat

Friday, June 29, 2007

June 29 -- Antoine de Saint Exupery



Photo source Agence France-Presse


Antoine de Saint-Exupéry (June 29, 1900 – presumably July 31, 1944)


French writer and aviator, born in Lyon, France. He disappeared on the night of July 31, 1944 while flying on a mission to collect data on German troop movements, all evidence pointing to a crash into the Mediterranean Sea.

One of his most famous works is Le Petit Prince (The Little Prince), a children's story about a lonely, misunderstood aviator forced, due to engine trouble, to land in the Sahara Desert. There he meets a small visitor from another planet and calls him the little prince....




I first read this sweet, sad story when I was young. I believed I understood it, likely nodded to myself in agreement with the little prince that grownups were very peculiar indeed.

Reading it again from an older perspective, I find it much more than a simple children's story. There's a profound statement here about the human condition, about the foolish things people believe are important, how man has lost his childish wonder, his ability to imagine, to believe.

My feelings were somewhat similar to those I had when reading Jonathan Swift's Gulliver's Travels, a parody of the times (mid 1700s) and a pointed satire that exposes human foibles in an Emperor's New Clothes kind of way.

But The Little Prince does it in a wistful, wishful manner, and unlike my sense of amusement at Swift's work, I felt the same melancholy that the aviator had at the end.

Here are the last two paragraphs of The Little Prince:

For you who also love the little prince, and for me, nothing in the universe can be the same if somewhere, we do not know where, a sheep that we never saw has eaten a rose...

Look up at the sky. Ask yourselves: is it yes or no? Has the sheep eaten the flower? And you will see how everything changes...

And no grown-up will ever understand that this is a matter of so much importance!






This is, to me, the loveliest and saddest landscape in the world. It is the same as that on the preceding page, but I have drawn it again to impress it on your memory. It is here that the little prince appeared on Earth, and disappeared.

Look at it carefully so that you will be sure to recognise it in case you travel some day to the African desert. And, if you should come upon this spot, please do not hurry on. Wait for a time, exactly under the star. Then, if a little man appears who laughs, who has golden hair and who refuses to answer questions, you will know who he is. If this should happen, please comfort me. Send me word that he has come back.

--
Cat

Friday, June 01, 2007

My verse appears in public --

I'm pleased to announce my children's verse - Advice to a Younger Brother appears is the summer issue of Bumbershoot, an online literary magazine. Read it here

--Cat

Monday, March 26, 2007

March 26 -- Robert Frost


Robert Frost March 26, 1874 -- January 29, 1963

Robert Frost's wonderful nature poetry--


Fire and Ice

Some say the world will end in fire,
Some say in ice.
From what I've tasted of desire
I hold with those who favour fire.
But if it had to perish twice,
I think I know enough of hate
To say that for destruction ice
Is also great
And would suffice.


A Hillside Thaw

To think to know the country and now know
The hillside on the day the sun lets go
Ten million silver lizards out of snow!
As often as I've seen it done before
I can't pretend to tell the way it's done.
It looks as if some magic of the sun
Lifted the rug that bred them on the floor
And the light breaking on them made them run.
But if I though to stop the wet stampede,
And caught one silver lizard by the tail,
And put my foot on one without avail,
And threw myself wet-elbowed and wet-kneed
In front of twenty others' wriggling speed,--
In the confusion of them all aglitter,
And birds that joined in the excited fun
By doubling and redoubling song and twitter,
I have no doubt I'd end by holding none.

It takes the moon for this. The sun's a wizard
By all I tell; but so's the moon a witch.
From the high west she makes a gentle cast
And suddenly, without a jerk or twitch,
She has her speel on every single lizard.
I fancied when I looked at six o'clock
The swarm still ran and scuttled just as fast.
The moon was waiting for her chill effect.
I looked at nine: the swarm was turned to rock
In every lifelike posture of the swarm,
Transfixed on mountain slopes almost erect.
Across each other and side by side they lay.
The spell that so could hold them as they were
Was wrought through trees without a breath of storm
To make a leaf, if there had been one, stir.
One lizard at the end of every ray.
The thought of my attempting such a stray!


The Freedom of the Moon

I've tried the new moon tilted in the air
Above a hazy tree-and-farmhouse cluster
As you might try a jewel in your hair.
I've tried it fine with little breadth of luster,
Alone, or in one ornament combining
With one first-water start almost shining.

I put it shining anywhere I please.
By walking slowly on some evening later,
I've pulled it from a crate of crooked trees,
And brought it over glossy water, greater,
And dropped it in, and seen the image wallow,
The color run, all sorts of wonder follow.


On Looking Up By Chance At The Constellations

You'll wait a long, long time for anything much
To happen in heaven beyond the floats of cloud
And the Northern Lights that run like tingling nerves.
The sun and moon get crossed, but they never touch,
Nor strike out fire from each other nor crash out loud.
The planets seem to interfere in their curves
But nothing ever happens, no harm is done.
We may as well go patiently on with our life,
And look elsewhere than to stars and moon and sun
For the shocks and changes we need to keep us sane.
It is true the longest drouth will end in rain,
The longest peace in China will end in strife.
Still it wouldn't reward the watcher to stay awake
In hopes of seeing the calm of heaven break
On his particular time and personal sight.
That calm seems certainly safe to last to-night.


--Cat