Showing posts with label 20th-century. Show all posts
Showing posts with label 20th-century. Show all posts

Tuesday, May 07, 2019

May 7 -- Archibald MacLeish





Archibald MacLeish (May 7, 1892 – April 20, 1982) 

Prolific American poet, essayist, playwright, political activist, and for several years at the request of FDR, the Librarian of Congress. He won numerous awards for his poems and plays, among them Pulitzer Prizes and an Academy Award.




An Eternity by Archibald MacLeish


There is no dusk to be, 
There is no dawn that was, 
Only there's now, and now, 
And the wind in the grass.

Days I remember of 
Now in my heart, are now; 
Days that I dream will bloom 
White the peach bough.

Dying shall never be 
Now in the windy grass; 
Now under shooken leaves 
Death never was. 




Dr. Sigmund Freud Discovers the Sea Shell by Archibald MacLeish
                  

Science, that simple saint, cannot be bothered
Figuring what anything is for:
Enough for her devotions that things are
And can be contemplated soon as gathered.

She knows how every living thing was fathered,
She calculates the climate of each star,
She counts the fish at sea, but cannot care
Why any one of them exists, fish, fire or feathered.

Why should she? Her religion is to tell
By rote her rosary of perfect answers.
Metaphysics she can leave to man:
She never wakes at night in heaven or hell

Staring at darkness. In her holy cell
There is no darkness ever: the pure candle
Burns, the beads drop briskly from her hand.

Who dares to offer Her the curled sea shell!
She will not touch it!--knows the world she sees
Is all the world there is! Her faith is perfect!

And still he offers the sea shell . . .

What surf
Of what far sea upon what unknown ground
Troubles forever with that asking sound?
What surge is this whose question never ceases? 

                           

       
Nocturne by Archibald MacLeish


The earth, still heavy and warm with afternoon,
Dazed by the moon:

The earth, tormented with the moon’s light,
Wandering in the night:

La, La, The moon is a lovely thing to see—
The moon is an agony.

Full moon, moon rise, the old old pain
Of brightness in dilated eyes,

The ache of still
Elbows leaning on the narrow sill,

Of motionless cold hands upon the wet
Marble of the parapet,

Of open eyelids of a child behind
The crooked glimmer of the windown blind,

Of sliding faint remindful squares
Across the lamplight on the rocking-chairs:

Why do we stand so late
Stiff fingers on the moonlit gat

Why do we stand
To watch so long the fall of moonlight on the sand?

What is it we cannot recall?
Tormented by the moon’s light
The earth turns maundering through the night. 




The Rock In The Sea by Archibald MacLeish
          
Think of our blindness where the water burned! 
Are we so certain that those wings, returned 
And turning, we had half discerned 
Before our dazzled eyes had surely seen 
The bird aloft there, did not mean?— 
Our hearts so seized upon the sign! 


Think how we sailed up-wind, the brine 
Tasting of daphne, the enormous wave 
Thundering in the water cave— 
Thunder in stone. And how we beached the skiff 
And climbed the coral of that iron cliff 
And found what only in our hearts we’d heard— 
The silver screaming of that one, white bird: 
The fabulous wings, the crimson beak 
That opened, red as blood, to shriek 
And clamor in that world of stone, 
No voice to answer but its own. 


What certainty, hidden in our hearts before, 
Found in the bird its metaphor? 


           
    
The End of the World by Archibald MacLeish

Quite unexpectedly, as Vasserot
The armless ambidextrian was lighting
A match between his great and second toe,
And Ralph the lion was engaged in biting
The neck of Madame Sossman while the drum
Pointed, and Teeny was about to cough
In waltz-time swinging Jocko by the thumb
Quite unexpectedly the top blew off:

And there, there overhead, there, there hung over
Those thousands of white faces, those dazed eyes,
There in the starless dark, the poise, the hover,
There with vast wings across the cancelled skies,
There in the sudden blackness the black pall
Of nothing, nothing, nothing -- nothing at all. 


-- Cat

Sunday, July 19, 2015

July 19 – ASJ Tessimond




English poet Arthur Seymour John Tessimond 
                                                         July 19, 1902 - May 13, 1962





Attack On The Ad-Man by Arthur Seymour John Tessimond

                              
This trumpeter of nothingness, employed                             
To keep our reason dull and null and void.                             
This man of wind and froth and flux will sell                             
The wares of any who reward him well.                         
Praising whatever he is paid to praise,                             
He hunts for ever-newer, smarter ways                             
To make the gilt seen gold; the shoddy, silk;                             
To cheat us legally; to bluff and bilk                             
By methods which no jury can prevent                             
Because the law's not broken, only bent.                             

This mind for hire, this mental prostitute                             
Can tell the half-lie hardest to refute;                             
Knows how to hide an inconvenient fact                             
And when to leave a doubtful claim unbacked;                             
Manipulates the truth but not too much,                             
And if his patter needs the Human Touch,                             
Skillfully artless, artlessly naive,                             
Wears his convenient heart upon his sleeve.                             

He uses words that once were strong and fine,                             
Primal as sun and moon and bread and wine,                             
True, honourable, honoured, clear and keen,                             
And leaves them shabby, worn, diminished, mean.                             
He takes ideas and trains them to engage                             
In the long little wars big combines wage...                             
He keeps his logic loose, his feelings flimsy;                             
Turns eloquence to cant and wit to whimsy;                             
Trims language till it fits his clients, pattern                             
And style's a glossy tart or limping slattern.                             

He studies our defences, finds the cracks                             
And where the wall is weak or worn, attacks.                             
lie finds the fear that's deep, the wound that's tender,                             
And mastered, outmanouevered, we surrender.                             
We who have tried to choose accept his choice                             
And tired succumb to his untiring voice.                             
The dripping tap makes even granite soften                             
We trust the brand-name we have heard so often                             
And join the queue of sheep that flock to buy;                             
We fools who know our folly, you and I.


                  
 

Houses by Arthur Seymour John Tessimond  
 
 
People who are afraid of themselves
Multiply themselves into families
And so divide themselves
And so become less afraid.

People who might have to go out
Into clanging strangers' laughter,
Crowd under roofs, make compacts
To no more than smile at each other.

People who might meet their own faces
Or surprise their own voices in doorways
Build themselves rooms without mirrors
And live between walls without echoes.

People who might meet other faces
And unknown voices round corners
Build themselves rooms all mirrors
And live between walls all echoes.

People who are afraid to go naked
Clothe themselves in families, houses,
But are still afraid of death
Because death one day will undress them.




 

One Day by Arthur Seymour John Tessimond

People will touch and talk perhaps easily,
And loving be natural as breathing,
And warm as sunlight;

And people will untie themselves,
As string is unknotted,

Unfold and yawn and stretch and spread
Their fingers;

Unfurl, uncurl, like seaweed returned
To the sea.

And work will be simple and swift
Like a seagull flying;

And play will be casual and quiet
Like a seagull sitting.

And the clocks will stop, and no - one
Will wonder or care or notice.

And people will smile without reason,
Even in the winter
Even in the rain.


 


 
Seaport by Arthur Seymour John Tessimond

Green sea-tarnished copper
And sea-tarnished gold
Of cupolas.

Sea-runnelled streets
Channelled by salt air
That wears the white stone.

The sunlight-filled cistern
Of a dry-dock. Square shadows.
Sun-slatted smoke above meticulous stooping of cranes.

Water pressed up by ships' prows
Going, coming.

City dust turned
Back by the sea-wind's
Wall.


– Cat