November 11th -- WWI poetry by women poets

On this day of remembrance I hunted for and found a number of poems written by women about the Great War of 1914-1918

Munition Wages
by Madeline Ida Bedford

Earning high wages?
Yus, Five quid a week.
A woman, too, mind you,
I calls it dim sweet.

Ye'are asking some questions –
But bless yer, here goes:
I spends the whole racket
On good times and clothes.

Me saving? Elijah!
Yer do think I'm mad.
I'm acting the lady,
But – I ain't living bad.

I'm having life's good times.
See 'ere, it's like this:
The 'oof come o' danger,
A touch-and-go bizz.

We're all here today, mate,
Tomorrow – perhaps dead,
If Fate tumbles on us
And blows up our shed.

Afraid! Are yer kidding?
With money to spend!
Years back I wore tatters,
Now – silk stockings, mi friend!

I've bracelets and jewellery,
Rings envied by friends;
A sergeant to swank with,
And something to lend.

I drive out in taxis,
Do theatres in style.
And this is mi verdict –
It is jolly worth while.

Worth while, for tomorrow
If I'm blown to the sky,
I'll have repaid mi wages
In death – and pass by.



Pluck
by Eva Dobell

Crippled for life at seventeen,
His great eyes seem to question why:
With both legs smashed it might have been
Better in that grim trench to die
Than drag maimed years out helplessly.

A child – so wasted and so white,
He told a lie to get his way,
To march, a man with men, and fight
While other boys are still at play.
A gallant lie your heart will say.

So broke with pain, he shrinks in dread
To see the 'dresser' drawing near;
And winds the clothes about his head
That none may see his heart-sick fear.
His shaking, strangled sobs you hear.

But when the dreaded moment's there
He'll face us all, a soldier yet,
Watch his bared wounds with unmoved air,
(Though tell-tale lashes still are wet),
And smoke his woodbine cigarette.



The Wind on the Downs
by Marian Allen

I like to think of you as brown and tall,
As strong and living as you used to be,
In khaki tunic, Sam Brown belt and all,
And standing there and laughing down at me.
Because they tell me, dear, that you are dead,
Because I can no longer see your face,
You have not died, it is not true, instead
You seek adventure in some other place.
That you are round about me, I believe;
I hear you laughing as you used to do,
Yet loving all the things I think of you;
And knowing you are happy, should I grieve?
You follow and are watchful where I go;
How should you leave me, having loved me so?

We walked along the tow-path, you and I,
Beside the sluggish-moving, still canal;
It seemed impossible that you should die;
I think of you the same and always shall.
We thought of many things and spoke of few,
And life lay all uncertainly before,
And now I walk alone and think of you,
And wonder what new kingdoms you explore.
Over the railway line, across the grass,
While up above the golden wings are spread,
Flying, ever flying overhead,
Here still I see your khaki figure pass,
And when I leave the meadow, almost wait
That you should open first the wooden gate.



The Call
by Jessie Pope

Who's for the trench –
Are you, my laddie?
Who'll follow French –
Will you, my laddie?
Who's fretting to begin,
Who's going out to win?
And who wants to save his skin –
Do you, my laddie?

Who's for the khaki suit –
Are you, my laddie?
Who longs to charge and shoot –
Do you, my laddie?
Who's keen on getting fit,
Who means to show his grit,
And who'd rather wait a bit –
Would you, my laddie?

Who'll earn the Empire's thanks –
Will you, my laddie?
Who'll swell the victor's ranks –
Will you, my laddie?
When that procession comes,
Banners and rolling drums –
Who'll stand and bite his thumbs –
Will you, my laddie?



Over the Top
by Sybil Bristowe

Ten more minutes! – Say yer prayers,
Read yer Bibles, pass the rum!
Ten more minutes! Strike me dumb,
'Ow they creeps on unawares,
Those blooming minutes. Nine. It's queer,
I'm sorter stunned. It ain't with fear!

Eight. It's like as if a frog
Waddled round in your inside,
Cold as ice-blocks, straddle wide,
Tired o' waiting. Where's the grog?
Seven. I'll play yer pitch and toss –
Six. – I wins, and tails yer loss.

'Nother minute sprinted by
'Fore I knowed it; only Four
(Break 'em into seconds) more
'Twixt us and Eternity.
Every word I've ever said
Seems a-shouting in my head.

Three. Larst night a little star
Fairly shook up in the sky,
Didn't like the lullaby
Rattled by the dogs of War.
Funny thing – that star all white
Saw old Blighty, too, larst night.

Two. I ain't ashamed o' prayers,
They're only wishes sent ter God
Bits o' plants from bloody sod
Trailing up His golden stairs.
Ninety seconds – Well, who cares!
One –
No fife, no blare, no drum –
Over the Top – to Kingdom Come!



--Cat

Alfred Lord Tennyson

Alfred Lord Tennyson August 6, 1809-October 6, 1892

Important English poet during the Victorian age, he became Poet Laureate in 1850.
Some of his well-known poetry: The Charge of the Light Brigade, The Lady of Shalott, and Idylls of the King.

A few of his works:



Sweet And Low

Sweet and low, sweet and low,
Wind of the western sea,
Low, low, breathe and blow,
Wind of the western sea!
Over the rolling waters go,
Come from the dying moon, and blow,
Blow him again to me;
While my little one, while my pretty one, sleeps.

Sleep and rest, sleep and rest,
Father will come to thee soon;
Rest, rest, on mother's breast,
Father will come to thee soon;
Father will come to his babe in the best,
Silver sails all out of the west,
Under the silver moon:
Sleep, my little one, sleep, my pretty one, sleep.



Move Eastward, Happy Earth

Move eastward, happy earth, and leave
Yon orange sunset waning slow:
From fringes of the faded eve,
O, happy planet, eastward go:
Till over thy dark shoulder glow
Thy silver sister world, and rise
To glass herself in dewey eyes
That watch me from the glen below.

Ah, bear me with thee, lightly borne,
Dip forward under starry light,
And move me to my marriage-morn,
And round again to happy night.



Far-Far-Away
(For Music)

What sight so lured him thro' the fields he knew
As where earth's green stole into heaven's own hue,
Far—far—away?

What sound was dearest in his native dells?
The mellow lin-lan-lone of evening bells
Far—far—away.

What vague world-whisper, mystic pain or joy,
Thro' those three words would haunt him when a boy,
Far—far—away?

A whisper from his dawn of life? a breath
From some fair dawn beyond the doors of death
Far—far—away?

Far, far, how far? from o'er the gates of birth,
The faint horizons, all the bounds of earth,
Far—far—away?

What charm in words, a charm no words could give?
O dying words, can Music make you live
Far—far—away?



Cradle Song

What does little birdie say
In her nest at peep of day?
Let me fly, says little birdie,
Mother, let me fly away.
Birdie, rest a little longer,
Till thy little wings are stronger.
So she rests a little longer,
Then she flies away.

What does little baby say,
In her bed at peep of day?
Baby says, like little birdie,
Let me rise and fly away.
Baby, sleep a little longer,
Till thy little limbs are stronger.
If she sleeps a little longer,
Baby too shall fly away.


Tears, Idle Tears

Tears, idle tears, I know not what they mean,
Tears from the depth of some divine despair
Rise in the heart, and gather to the eyes,
In looking on the happy autumn-fields,
And thinking of the days that are no more.

Fresh as the first beam glittering on a sail,
That brings our friends up from the underworld,
Sad as the last which reddens over one
That sinks with all we love below the verge;
So sad, so fresh, the days that are no more.

Ah, sad and strange as in dark summer dawns
The earliest pipe of half-awakened birds
To dying ears, when unto dying eyes
The casement slowly grows a glimmering square;
So sad, so strange, the days that are no more.

Dear as remembered kisses after death,
And sweet as those by hopeless fancy feigned
On lips that are for others; deep as love,
Deep as first love, and wild with all regret;
O Death in Life, the days that are no more!



The Eagle

He clasps the crag with crooked hands;
Close to the sun in lonely lands,
Ring’d with the azure world, he stands.

The wrinkled sea beneath him crawls;
He watches from his mountain walls,
And like a thunderbolt he falls.


The Oak

Live thy life,
Young and old,
Like yon oak,
Bright in spring,
Living gold;

Summer-rich
Then; and then
Autumn-changed,
Soberer hued
Gold again.

All his leaves
Fall’n at length,
Look, he stands,
Trunk and bough,
Naked strength.


A Farewell

Flow down, cold rivulet, to the sea,
Thy tribute wave deliver:
No more by thee my steps shall be,
For ever and for ever.

Flow, softly flow, by lawn and lea,
A rivulet then a river:
Nowhere by thee my steps shall be
For ever and for ever.

But here will sigh thine alder tree
And here thine aspen shiver;
And here by thee will hum the bee,
For ever and for ever.

A thousand suns will stream on thee,
A thousand moons will quiver;
But not by thee my steps shall be,
For ever and for ever.

--Alfred Lord Tennyson

June 1 -- John Masefield

John Masefiel 1913, photograph by Alvin Langdon Coburn

John Edward Masefield, June 1 1878 – May 12 1967

English poet, novelist, dramatist and journalist, Poet Laureate from 1930 until his death in 1967.


This poem I remember well, having read it in grade school.




Sea Fever
by John Masefield

I must down to the seas again, to the lonely sea and the sky,
And all I ask is a tall ship and a star to steer her by,
And the wheel's kick and the wind's song and the white sail's shaking,
And a gray mist on the sea's face, and a gray dawn breaking.

I must go down to the seas again, for the call of the running tide
Is a wild call and a clear call that may not be denied;
And all I ask is a windy day with the white clouds flying,
And the flung spray and the blown spume, and the sea-gulls crying.

I must go down to the seas again, to the vagrant gypsy life,
To the gull's way and the whale's way, where the wind's like a whetted knife;
And all I ask is a merry yarn from a laughing fellow-rover,
And quiet sleep and a sweet dream when the long trick's over.



On Eastnor Knoll
by John Masefield

Silent are the woods, and the dim green boughs are
Hushed in the twilight: yonder, in the path through
The apple orchard, is a tired plough-boy
Calling the cows home.

A bright white star blinks, the pale moon rounds, but
Still the red, lurid wreckage of the sunset
Smoulders in smoky fire, and burns on
The misty hill-tops.

Ghostly it grows, and darker, the burning
Fades into smoke, and now the gusty oaks are
A silent army of phantoms thronging
A land of shadows .



Beauty
By John Masefield

I have seen dawn and sunset on moors and windy hills
Coming in solemn beauty like slow old tunes of Spain:
I have seen the lady April bringing the daffodils,
Bringing the springing grass and the soft warm April rain.

I have heard the song of the blossoms and the old chant of the sea,
And seen strange lands from under the arched white sails of ships;
But the loveliest thing of beauty God ever has shown to me,
Are her voice, and her hair, and eyes, and the dear red curve of her lips.




The West Wind
by John Masefield

It's a warm wind, the west wind, full of birds' cries;
I never hear the west wind but tears are in my eyes.
For it comes from the west lands, the old brown hills.
And April's in the west wind, and daffodils.

It's a fine land, the west land, for hearts as tired as mine,
Apple orchards blossom there, and the air's like wine.
There is cool green grass there, where men may lie at rest,
And the thrushes are in song there, fluting from the nest.

"Will ye not come home brother? ye have been long away,
It's April, and blossom time, and white is the may;
And bright is the sun brother, and warm is the rain,—
Will ye not come home, brother, home to us again?

"The young corn is green, brother, where the rabbits run.
It's blue sky, and white clouds, and warm rain and sun.
It's song to a man's soul, brother, fire to a man's brain,
To hear the wild bees and see the merry spring again.

"Larks are singing in the west, brother, above the green wheat,
So will ye not come home, brother, and rest your tired feet?
I've a balm for bruised hearts, brother, sleep for aching eyes,"
Says the warm wind, the west wind, full of birds' cries.

It's the white road westwards is the road I must tread
To the green grass, the cool grass, and rest for heart and head,
To the violets, and the warm hearts, and the thrushes' song,
In the fine land, the west land, the land where I belong.



--Cat

Walter Raleigh

Sir Walter Raleigh (which he usually spelled Ralegh)
c. 1552 – October 29, 1618

English writer, poet, courtier and explorer, favorite, for a time, of Queen Elizabeth I. His exciting, interesting, controversial life came to an end when, under the reign of James I, he was beheaded at the Tower of London, either for being an atheist, on charges of treason, maybe to appease the Spanish for attacking their territory, for simply for being unpopular with the king, or even for failing to discover the elusive El Dorado...

Poems

Like Truthless Dreams, So Are My Joys Expired
by Sir Walter Raleigh

Like truthless dreams, so are my joys expired,
And past return are all my dandled days;
My love misled, and fancy quite retired—
Of all which passed the sorrow only stays.

My lost delights, now clean from sight of land,
Have left me all alone in unknown ways;
My mind to woe, my life in fortune's hand—
Of all which passed the sorrow only stays.

As in a country strange, without companion,
I only wail the wrong of death's delays,
Whose sweet spring spent, whose summer well-nigh done—
Of all which passed the sorrow only stays.

Whom care forewarns, ere age and winter cold,
To haste me hence to find my fortune's fold.




Life
by Sir Walter Raleigh

What is our life? A play of passion,
Our mirth the music of division,
Our mother's wombs the tiring-houses be,
Where we are dressed for this short comedy.
Heaven the judicious sharp spectator is,
That sits and marks still who doth act amiss.
Our graves that hide us from the setting sun
Are like drawn curtains when the play is done.
Thus march we, playing, to our latest rest,
Only we die in earnest, that's no jest.


--Cat

William Morris

William Morris - March 24, 1834—October 3, 1896

Morris was an English artist, writer, and socialist. One of the principal founders of the British Arts and Crafts Movement, he is best known as a designer of wallpaper and patterned fabrics, a writer of poetry and fiction, and an early founder of the socialist movement in Britain.

Morris and some friends were associated with an artistic movement, the Pre-Raphaelite Brotherhood who favored a return to hand-craftsmanship, his philosophy that art should be affordable, even free, hand-made, and that there should be no hierarchy of artistic mediums.

Some Morris poetry:

Love Is Enough
by William Morris

Love is enough: though the World be a-waning,
And the woods have no voice but the voice of complaining,
Though the sky be too dark for dim eyes to discover
The gold-cups and daisies fair blooming thereunder,
Though the hills be held shadows, and the sea a dark wonder,
And this day draw a veil over all deeds pass’d over,
Yet their hands shall not tremble, their feet shall not falter;
The void shall not weary, the fear shall not alter
These lips and these eyes of the loved and the lover.



The Earthly Paradise: Apology
by William Morris

Of Heaven or Hell I have no power to sing,
I cannot ease the burden of your fears,
Or make quick-coming death a little thing,
Or bring again the pleasure of past years,
Nor for my words shall ye forget your tears,
Or hope again for aught that I can say,
The idle singer of an empty day.

But rather, when aweary of your mirth,
From full hearts still unsatisfied ye sigh,
And, feeling kindly unto all the earth,
Grudge every minute as it passes by,
Made the more mindful that the sweet days die--
--Remember me a little then I pray,
The idle singer of an empty day.

The heavy trouble, the bewildering care
That weighs us down who live and earn our bread,
These idle verses have no power to bear;
So let em sing of names remember{`e}d,
Because they, living not, can ne'er be dead,
Or long time take their memory quite away
From us poor singers of an empty day.

Dreamer of dreams, born out of my due time,
Why should I strive to set the crooked straight?
Let it suffice me that my murmuring rhyme
Beats with light wing against the ivory gate,
Telling a tale not too importunate
To those who in the sleepy region stay,
Lulled by the singer of an empty day.

Folk say, a wizard to a northern king
At Christmas-tide such wondrous things did show,
That through one window men beheld the spring,
And through another saw the summer glow,
And through a third the fruited vines a-row,
While still, unheard, but in its wonted way,
Piped the drear wind of that December day.

So with this Earthly Paradise it is,
If ye will read aright, and pardon me,
Who strive to build a shadowy isle of bliss
Midmost the beating of the steely sea,
Where tossed about all hearts of men must be;
Whose ravening monsters mighty men shall slay,
Not the poor singer of an empty day.


(First publication date: 1868)


The Voice of Toil
by William Morris

I heard men saying, Leave hope and praying,
All days shall be as all have been;
To-day and to-morrow bring fear and sorrow,
The never-ending toil between.

When Earth was younger mid toil and hunger,
In hope we strove, and our hands were strong;
Then great men led us, with words they fed us,
And bade us right the earthly wrong.

Go read in story their deeds and glory,
Their names amidst the nameless dead;
Turn then from lying to us slow-dying
In that good world to which they led;

Where fast and faster our iron master,
The thing we made, for ever drives,
Bids us grind treasure and fashion pleasure
For other hopes and other lives.

Where home is a hovel and dull we grovel,
Forgetting that the world is fair;
Where no babe we cherish, lest its very soul perish;
Where mirth is crime, and love a snare.

Who now shall lead us, what God shall heed us
As we lie in the hell our hands have won?
For us are no rulers but fools and befoolers,
The great are fallen, the wise men gone.

I heard men saying, Leave tears and praying,
The sharp knife heedeth not the sheep;
Are we not stronger than the rich and the wronger,
When day breaks over dreams and sleep?

Come, shoulder to shoulder ere the world grows older!
Help lies in nought but thee and me;
Hope is before us, the long years that bore us
Bore leaders more than men may be.

Let dead hearts tarry and trade and marry,
And trembling nurse their dreams of mirth,
While we the living our lives are giving
To bring the bright new world to birth.

Come, shoulder to shoulder ere Earth grows older!
The Cause spreads over land and sea;
Now the world shaketh, and fear awaketh,
And joy at last for thee and me.




Summer Dawn
by William Morris

Pray but one prayer for me ‘twixt thy closed lips,
Think but one thought of me up in the stars.
The summer night waneth, the morning light slips
Faint and gray ‘twixt the leaves of the aspen, betwixt the cloud-bars,
That are patiently waiting there for the dawn:
Patient and colourless, though Heaven’s gold
Waits to float through them along with the sun.
Far out in the meadows, above the young corn,
The heavy elms wait, and restless and cold
The uneasy wind rises; the roses are dun;
Through the long twilight they pray for the dawn
Round the lone house in the midst of the corn.
Speak but one word to me over the corn,
Over the tender, bow’d locks of the corn.




--Cat

Happy Belated Valentine Day

Ogden Nash Aug 1, 1902 - May 19, 1971

American poet best known for his humorous, often satirical light verse. Children and adults alike enjoy his work.

Here are just a few of his witty enjoyable works.

To My Valentine
by Ogden Nash

More than a catbird hates a cat,
Or a criminal hates a clue,
Or the Axis hates the United States,
That's how much I love you.

I love you more than a duck can swim,
And more than a grapefruit squirts,
I love you more than gin rummy is a bore,
And more than a toothache hurts.

As a shipwrecked sailor hates the sea,
Or a juggler hates a shove,
As a hostess detests unexpected guests,
That's how much you I love.

I love you more than a wasp can sting,
And more than the subway jerks,
I love you as much as a beggar needs a crutch,
And more than a hangnail irks.

I swear to you by the stars above,
And below, if such there be,
As the High Court loathes perjurious oathes,
That's how you're loved by me.

A Drink With Something In It
By Ogden Nash

There is something about a Martini,
A tingle remarkably pleasant;
A yellow, a mellow Martini;
I wish that I had one at present.
There is something about a Martini,
Ere the dining and dancing begin,
And to tell you the truth,
It is not the vermouth —
I think that perhaps it's the Gin.

Tableau At Twilight
by Ogden Nash

I sit in the dusk. I am all alone.
Enter a child and an ice-cream cone.

A parent is easily beguiled
By sight of this coniferous child.

The friendly embers warmer gleam,
The cone begins to drip ice cream.

Cones are composed of many a vitamin.
My lap is not the place to bitamin.

Although my raiment is not chinchilla,
I flinch to see it become vanilla.

Coniferous child, when vanilla melts
I'd rather it melted somewhere else.

Exit child with remains of cone.
I sit in the dusk. I am all alone,

Muttering spells like an angry Druid,
Alone, in the dusk, with the cleaning fluid.

Fleas
by Ogden Nash

Adam
Had'em

--Cat