Oct 30th - André Marie Chénier

André Marie Chénier (October 30 1762 – July 25 1794)

Chénier lived during the turbulent era of the French Revolution. A political moderate, he supported the Revolution until he realized that moderation, justice, and freedom from tyranny were unattainable ideals in the lawless society it spawned. A believer in a constitutional monarchy, as the revolution progressed he wrote many savage satirical works against the uprising for pamphlets and journals of the time. He later provided some arguments for the defense of Louis XVI, who was nevertheless guillotined in early 1793.


Poems in French, followed by English translations:

A number of the king's mercenary Swiss Guard revolted and murdered their officers. The murderers were captured, some killed, some incarcerated, and later released, returning to the city where they were, for political reasons, treated as heroes. Hymne aux Suisses de Chateauvieux, a masterpiece of irony, reflects Chénier's rage at this injustice and hypocrisy.

Hymne aux Suisses de Chateauvieux
by Andre Marie de Chenier

Salut, divin Triomphe! entre dans nos murailles!
Rends-nous ces guerriers illustrés
Par le sang de Désille, et par les funérailles
De tant de Français massacrés.
Jamais rien de si grand n'embellit ton entrée,
Ni quand l'ombre de Mirabeau
S'achemina jadis vers la voûte sacrée
Où la gloire donne un tombeau,
Ni quand Voltaire mort, et sa centre bannie
Rentrèrent aux murs de Paris.
Vainqueurs du fanatisme et de la calomnie,
Posternés devant ses écrits.


De voir des échevins, que la Rapée honore,
Asseoir sur un char radieux
Ces héros, que jadis sur les bancs des galères
Assit un arrêt outrageant,
Et qui n'ont égorgé que très peu de nos frères,
Et volé que très peu d'argent.


Que la Nuit de leurs noms embelisse se voiles,
Et que le nocher aux abois
Invoque en leur Galère, ornement des étoiles,
Les Suisses de Collt-d'Herbois.

~

Hail, divine Triumph! enter into our walls!
Welcome back those warrious honored
For the blood shed of Désille and the funerals
Of so many Frenchmen massacred.
Never before your gates saw anything so fine.
Not even when the shade of Mirabeau
Of yore was carried to the sacred shrine.
A tomb that only glory can bestow.
Nor when Voltaire's ashes, refused a calm retreat,
To Paris came back for repose.
And fanaticism and calumny in full defeat.
Prostrate lay before his prose.

Place on a radiant chariot
These heroes, who previously on a galley bench
Were put by an outrageous sentence,
And who strangled but very few of our brothers
And stole but little gold from others.

Let Night emboss their names in its veil,
And the Pilot, when he goes amiss,
Invoke in their Galley, as the stars they trail,
Collot-d'Herbois' glorious Swiss.

~

Ode to Marie-Anne-Charlotte Corday, the young woman guillotined for assassinating Jacobin leader Jean-Paul Marat, one of the architects of the Reign of Terror, lambastes Marat and his cohorts, praises Corday, and regrets the impotence of those who stood by.

Ode to Marie-Anne-Charlotte Corday
by Andre Marie de Chenier

Le noir serpent, sorti de sa caverne impure,
A donc vu rompre enfin sous ta main ferme et sûre
le venimeux tissu de ses jours abhorrés!
Aux entrailles du tigre, à ses dents homicides,
Tu vins demander et les membres livides
Et le sang des humains qu'il avait dévorés!

La vertu seule est libre. Honneur de notre histoire,
Notre immortel opprobre y vit avec ta gloire.
Seule tu fus un homme, et vengea les humains.
Et nous, eunuques vils, troupeau lâche et sans âme,
Nous savons répéter quelques plaintes de femme,
Mais le fer pèserait à nos débiles mains.
. . . . .
Un scélérat de moins rampe dans cette fange.
La Vertu t'applaudit. De sa mâle louange
Entends, bell héroïne, entends l'auguste voix.
O Vertu, le poignard, seul espoir de la terre,
Est ton arme sacrée, alors que le tonnerre
Laisse régner le crime, et te vend à ses lois.

~

The black serpent, leaving his filthy cave,
Has finally suffered by your hand so sure and brave
The end of its venomous existence so despised!
From the tiger's guts, from his homicidal teeth
You came and drew what he'd devoured from beneath:
The blood and livid members of his victims sacrificed.

Virtue alone is free. Honor of our history,
Our immortal shame we live beside your glory.
Only you were a man, your knife did vengeance wreak;
And we, vile eunuchs, cowardly and soul-less cattle.
We can at best complain like women prattle,
But to wield a sword our hands would be too weak
. . . . .
In that mud crawls one scoundrel less.
Hear, lovely heroine, hear Virtue bless,
Hear the august voice of its virile praise.
Oh virtue, the dagger that hope will raise,
Is your sacred arm, when Heaven holds its thunder
And lets crime rule, while laws are cut asunder.

~

Arrested and tried for alleged crimes against the state Chénier died by guillotine on July 25, 1794, just days before the end of the Reign of Terror. He was 31 years old.

His fragmented works were first collected and published in 1819, and as many additional poems and fragments were discovered, the complete works of the poet were published in 1892.

He wrote in prison until his last day, lashing out against injustice and the atrocious acts of man.


Iambe V

Ils vivent cependant et de tant de victimes
Les cris ne montent point vers toi.
C'est un pauvre poète, ô grand Dieu des armées,
Que seul, captif, près de la mort,
Attachant à ses vers des ailes enflammées
De ton tonnerre qui s'endort,
De la vertu proscrite embrassant la défense,
Dé'nonce aux juges infernaux
Ces juges, ces jurés qui frappent l'innocence,
Hécatombe à leurs tribunaux.
Eh bien, fais-moi donc vivre, et cette horde impure
Sentira quels traits sont les miens.
Ils ne sont point cachés dans leur bassess impure;
Je le vois, j'accours, je les tiens.

~

Yet they live and their victims' throttled cries
Do not rise up to your exalted heights.
It is a poor poet, oh majestic god of the armies,
Who, alone, in prison, as death he fights,
Gluing to his verses the flaming wings
Of your thunder that no longer stings,
Of virtue exiled taking the defense,
Denounces to the judges of all hells
Those judges, those juries that strike innocence,
Creating a hecatomb at their tribunals.
Just let me stay alive, and that filthy breed
Will feel the power of my pen.
They cannot hide behind their dirty deed:
I see them, I rush in, I have them.

~
Iambe VII

Quand au mouton bêlant la sombre boucherie
Ouvre ses cavernes de mort,
Pâtres, cheins et moutons, toute la bergerie
Ne s'informe plus son sort...


~

When the somber slaughterhouse lets the bleating sheep
Into its dark and deadly gate,
Shepherds, dogs, and sheep, all of them keep
Their thoughts on any but their fate...

~

Iambe VIII

...Quelle sera la proie
Que la hache appelle aujourd'hui?
Chacun frissonne, écoute; et chacun avec joie
Voit que ce n'est pas encor lui:
Ce sera toi demain, insensible imbécile.


~

...Who will be the prey
On whom the ax will fall today?
Everybody shivers, listens, and is relieved to see
That the one called out is not yet he.
It will be you tomorrow, unfeeling fool.

~

Iambe IX (his last)

Comme un dernier rayon, comme un dernier zéphyre
Animent la fin d'un beau jour,
Au pied de l'échaufaud j'essaye encor ma lyre.
Peut-être est-ce bientôt mon tour.
. . . . .
Ma vie importe à la vertu.
Car l'honnête homme enfin, victime de l'outrage,
Dans les cachots, près du cercueil,
Relève plus altier son front et son langage.

Sauvez-moi. Conservez un bras
Qui lance votre foudre, un amant qui vous venge.
. . . . .
O ma plume! fiel, bile, horreur, Dieu de ma vie!
Par vous seuls je respire encor:
. . . . .
Nul ne resterait donc pour attendrir l'histoire
Sur tant de justes massacrés?
Pour consoler leurs fils, leurs veuves, leur mémoire,
Pour que des brigands abhorrés
Frémissent aux portraits noirs de leur ressemblance,
Pour descendre jusqu'aux enfers
Nouer le triple fouet, le fouet de la vengeance
Déjà levé sur ces pervers?
Pour cracher sur leurs noms, pour chanter leur supplice?
Allons, étouffe tes clameurs;
Souffre, ô coeur gros de haine, affamé de justice.
Toi, Vertu, pleure si je meurs.

~

Like a last ray of light, like a last summer breeze
Color the end of a beautiful day,
At the foot of the gallows once more my lyre I seize.
Perhaps I'll soon be on my way.
. . . . .
My life is Virtue's concern.
A decent man, whom outrage has fed,
In prison, awaiting his turn,
Lifts higher his speech and higher his head.

Save me. Preserve an arm
To hurl your thunderbolts, a lover to avenge you.
. . . . .
Oh my pen! poison, gall, horror, God of my life,
Through you alone I carry on my strife.
. . . . .
No one would remain and move history to record
About so many just people massacred?
To console their memory, their widows, their sons,
So that abhorrent highway brigands
Will tremble at their black portraits in paint?
To descend into hell, like a saint,
To tie the trifold whip, by vengeance praised,
Already on those perverts raised?
To spit on their names, to see their sentence carved?
Come now, stifle your cry;
Suffer, heart full of hate, for justice starved.
And you, Virtue, weep if I die.


--Cat

Sept. 9th - Mary Hunter Austin

Mary Hunter Austin (September 9, 1868 – August 13, 1934)

Illinois-born poet, novelist, playwright, at age twenty she moved with her family to California. Many of her works are based on her studies of Indian life in the Mojave Desert, about the land and the people she came to love. Her best known work is The Land of Little Rain, a tribute to the deserts of the Southwest.

She was known also for feminist essays and as a staunch defender of Native American and Spanish-American rights. She died in Santa Fe, New Mexico.



Some poetry by Mary Hunter Austin:


A Song In Time Of Depression

Now all my singing Dreams are gone,
But none knows where they have fled
Nor by what trails they have left me.

Return, O Dreams of my heart,
And sing in the Summer twilight,
By the creek and the almond thicket
And the field that is bordered with lupins!

Now is my refuge to seek
In the hollow of friendly shoulders,
Since the singing is stopped in my pulse
And the earth and the sky refuse me;
Now must I hold by the eyes of a friend
When the high white stars are unfriendly.

Over-sweet is the refuge for trusting;
Return and sing, O my Dreams,
In the dewy and palpitant pastures,
Till the love of living awakes
And the strength of the hills to uphold me.

From the Paiute.



Going West

Someday I shall go West,
Having won all time to love it in, at last,
Too still to boast.

But when I smell the sage,
When the long, marching landscape line
Melts into wreathing mountains,
And the dust cones dance,
Something in me that is of them will stir.

Happy if I come home
When the musk scented, moon-white gilia blows,
When all the hills are blue, remembering
The sea from which they rose.
Happy again,
When blunt faced bees carouse
In the red flagons of the incense shrub,
Or apricots have lacquered boughs,
And trails are dim with rain!

Lay me where some contented oak can prove
How much of me is nurture for a tree;
Sage thoughts of mine
Be acorn clusters for the deer to browse.
My loving whimsies -- Will you chide again
When they come up as lantern flowers?

I shall be small and happy as the grass,
Proud if my tip
Stays the white, webby moons the spider weaves,
Where once you trod
Or down my bleaching stalks shall slip
The light, imprisoning dew.
I shall be bluets in the April sod!

Or if the wheel should turn too fast,
Run up and rest
As a sequoia for a thousand years!



Inyo

Far from the northward, from the cloven ridges,
Pine-girt, deep-drifted with bewildering snows,
By ice-plowed gorge, the leaping river bridges,
Light span by span, from lake to lake below,
By mountain meadow, and the snow-fed hollow
Where birch and buckthorn thicket mark the trail,
Spurning the tawny hills in haste to follow
The long, brown reaches of a desert vale.

To east and west roll up the purple ranges,
Foot bound about by leopard-colored hills;
From east to west their serrate shadow changes;
From west to east stream down the tumbling rills.
Mocking the shadeless slopes and sullen ledges,
Through the sunburnt wastes of sage and yellow sand,
Run down to meet thy willows and thy sedges, --
O lonely river in a lonely land!

Foamless and swift thy winding waters follow
To find, unbosomed to the wind-swept skies,
The great lake lapping in a tideless hollow,
Wanton to each day's changes as they rise, --
Purpling to meet the splendor of their mornings,
Paling to catch their tender mid-day blue,
Trembling alike to smilings and to scornings, --
Fleet light of loves, it cannot hold one true.

Like some great lioness beside the river,
With passion slumbering in her half-shut eyes,
Watching the light from heated sands up-quiver,
Untamed and barren, lone the valley lies.
Forego, O River, all the wrong you do her,
Hasting your waters to the bitter lake,
Rise from your reedy marges and subdue her,
So shall the land be fertile for your sake.



Medicine Song: To Be Sung In Time Of Evil Fortune

Medicine me,
O Friend-of-the-Soul-of-Man,
With purging waters!
For my soul festers
And an odor of corruption
Betrays me to disaster.

As a place of carrion
Where buzzards are gathered,
So is my path
Overshadowed by evil adventures;
Meanness, betrayal, and spite
Flock under heaven
To make me aware
Of sickness and death within me.

Medicine my soul, O friend,
With waters of cleansing;
Then shall my way shine,
And my nights no longer
Be full of the dreadful sound
Of the wings of unsuccesses.



The Heart's Friend

Fair is the white star of twilight,
and the sky clearer
At the day's end;
But she is fairer, and she is dearer.
She, my heart's friend!

Far stars and fair in the skies bending,
Low stars of hearth fires and wood smoke ascending,
The meadow-lark's nested,
The night hawk is winging;
Home through the star-shine the hunter comes singing.

Fair is the white star of twilight,
And the moon roving
To the sky's end;
But she is fairer, better worth loving,
She, my heart's friend.

Shoshone Love Song.



Winter In The Sierras

The pines are black on Sierra's slope,
And white are the drifted snows;
The flowers are gone, the buckthorn bare,
And chilly the north wind blows.
The pine-boughs creak,
And the pine-trees speak
A language the north wind knows.

There's never a track leads in or out
Of the cave of the big brown bear;
The squirrels have hid in their deepest holes,
And fastened the doors with care.
The red fox prowls,
And the lean wolf howls
As he hunts far down from the lair.

The eagle hangs on the wing all day,
On the chance of a single kill;
The little gray hawk hunts far and wide
Before he can get his fill.
The snow-wreaths sift,
And the blown snows drift
To the canyons deep and still.


--Cat

Aug 15th - Sir Walter Scott

Sir Walter Scott
Aug 15 1771 - September 21, 1832

Scottish novelist and poet

His historical novels include such classics as Ivanhoe, Rob Roy, The Lady of the Lake, The Bride of Lammermoor. His Life of Napoleon was published in nine volumes in 1827


Some poetry:

County Guy
by Sir Walter Scott

Ah! County Guy, the hour is nigh,
The sun has left the lea,
The orange flower perfumes the bower,
The breeze is on the sea.
The lark his lay who thrill'd all day
Sis hush'd his partner nigh:
Breeze, bird, and flower confess the hour,
But where is County Guy?

The village maid steals through the shade,
Her shepherd's suit to hear;
To beauty shy, by lattice high,
Sings high-born Cavalier.
The star of Love, all stars above
Now reigns o'er earth and sky;
And high and low the influence know--
But where is County Guy?


The Troubadour
by Sir Walter Scott

Glowing with love, on fire for fame
A Troubadour that hated sorrow
Beneath his lady's window came,
And thus he sung his last good-morrow:
"My arm it is my country's right,
My heart is in my true-love's bower;
Gaily for love and fame to fight
Befits the gallant Troubadour."

And while he marched with helm on head
And harp in hand, the descant rung,
As faithful to his favourite maid,
The minstrel-burden still he sung:
"My arm it is my country's right,
My heart is in my lady's bower;
Resolved for love and fame to fight
I come, a gallant Troubadour."

Even when the battle-roar was deep,
With dauntless heart he hewed his way,
'Mid splintering lance and falchion-sweep,
And still was heard his warrior-lay:
"My life it is my country's right,
My heart is in my lady's bower;
For love to die, for fame to fight,
Becomes the valiant Troubadour."

Alas! upon the bloody field
He fell beneath the foeman's glaive,
But still reclining on his shield,
Expiring sung the exulting stave:-
"My life it is my country's right,
My heart is in my lady's bower;
For love and fame to fall in fight
Becomes the valiant Troubadour."


Lochinvar
by Sir Walter Scott

O young Lochinvar is come out of the west,
Through all the wide Border his steed was the best;
And save his good broadsword he weapons had none,
He rode all unarm'd, and he rode all alone.
So faithful in love, and so dauntless in war,
There never was knight like the young Lochinvar.
He staid not for brake, and he stopp'd not for stone,
He swam the Eske river where ford there was none;
But ere he alighted at Netherby gate,
The bride had consented, the gallant came late:
For a laggard in love, and a dastard in war,
Was to wed the fair Ellen of brave Lochinvar.

So boldly he enter'd the Netherby Hall,
Among bride's-men, and kinsmen, and brothers and all:
Then spoke the bride's father, his hand on his sword,
(For the poor craven bridegroom said never a word,)
"O come ye in peace here, or come ye in war,
Or to dance at our bridal, young Lord Lochinvar?"

"I long woo'd your daughter, my suit you denied; --
Love swells like the Solway, but ebbs like its tide --
And now I am come, with this lost love of mine,
To lead but one measure, drink one cup of wine.
There are maidens in Scotland more lovely by far,
That would gladly be bride to the young Lochinvar."

The bride kiss'd the goblet: the knight took it up,
He quaff'd off the wine, and he threw down the cup.
She look'd down to blush, and she look'd up to sigh,
With a smile on her lips and a tear in her eye.
He took her soft hand, ere her mother could bar, --
"Now tread we a measure!" said young Lochinvar.

So stately his form, and so lovely her face,
That never a hall such a gailiard did grace;
While her mother did fret, and her father did fume
And the bridegroom stood dangling his bonnet and plume;
And the bride-maidens whisper'd, "'twere better by far
To have match'd our fair cousin with young Lochinvar."

One touch to her hand, and one word in her ear,
When they reach'd the hall-door, and the charger stood near;
So light to the croupe the fair lady he swung,
So light to the saddle before her he sprung!
"She is won! we are gone, over bank, bush, and scaur;
They'll have fleet steeds that follow," quoth young Lochinvar.

There was mounting 'mong Graemes of the Netherby clan;
Forsters, Fenwicks, and Musgraves, they rode and they ran:
There was racing and chasing on Cannobie Lee,
But the lost bride of Netherby ne'er did they see.
So daring in love, and so dauntless in war,
Have ye e'er heard of gallant like young Lochinvar?


My Native Land
by Sir Walter Scott

Breathes there the man, with soul so dead,
Who never to himself hath said,
This is my own, my native land!
Whose heart hath ne'er within him burn'd,
As home his footsteps he hath turn'd
From wandering on a foreign strand!
If such there breathe, go, mark him well;
For him no Minstrel raptures swell;
High though his titles, proud his name,
Boundless his wealth as wish can claim;
Despite those titles, power, and pelf,
The wretch, concentred all in self,
Living, shall forfeit fair renown,
And, doubly dying, shall go down
To the vile dust, from whence he sprung,
Unwept, unhonour'd, and unsung.


--Cat

Summer Poetry

Moonlight, summer moonlight by Emily Bronte

'Tis moonlight, summer moonlight,
All soft and still and fair;
The solemn hour of midnight
Breathes sweet thoughts everywhere,

But most where trees are sending
Their breezy boughs on high,
Or stooping low are lending
A shelter from the sky.

And there in those wild bowers
A lovely form is laid;
Green grass and dew-steeped flowers
Wave gently round her head.



The Summer Rain by Henry David Thoreau

My books I'd fain cast off, I cannot read,
'Twixt every page my thoughts go stray at large
Down in the meadow, where is richer feed,
And will not mind to hit their proper targe.
Plutarch was good, and so was Homer too,
Our Shakespeare's life were rich to live again,
What Plutarch read, that was not good nor true,
Nor Shakespeare's books, unless his books were men.

Here while I lie beneath this walnut bough,
What care I for the Greeks or for Troy town,
If juster battles are enacted now
Between the ants upon this hummock's crown?

Bid Homer wait till I the issue learn,
If red or black the gods will favor most,
Or yonder Ajax will the phalanx turn,
Struggling to heave some rock against the host.

Tell Shakespeare to attend some leisure hour,
For now I've business with this drop of dew,
And see you not, the clouds prepare a shower--
I'll meet him shortly when the sky is blue.

This bed of herd's grass and wild oats was spread
Last year with nicer skill than monarchs use.
A clover tuft is pillow for my head,
And violets quite overtop my shoes.

And now the cordial clouds have shut all in,
And gently swells the wind to say all's well;
The scattered drops are falling fast and thin,
Some in the pool, some in the flower-bell.

I am well drenched upon my bed of oats;
But see that globe come rolling down its stem,
Now like a lonely planet there it floats,
And now it sinks into my garment's hem.

Drip drip the trees for all the country round,
And richness rare distills from every bough;
The wind alone it is makes every sound,
Shaking down crystals on the leaves below.

For shame the sun will never show himself,
Who could not with his beams e'er melt me so;
My dripping locks--they would become an elf,
Who in a beaded coat does gayly go.



A Summer Day by Lucy Maud Montgomery

I
The dawn laughs out on orient hills
And dances with the diamond rills;
The ambrosial wind but faintly stirs
The silken, beaded gossamers;
In the wide valleys, lone and fair,
Lyrics are piped from limpid air,
And, far above, the pine trees free
Voice ancient lore of sky and sea.
Come, let us fill our hearts straightway
With hope and courage of the day.

II
Noon, hiving sweets of sun and flower,
Has fallen on dreams in wayside bower,
Where bees hold honeyed fellowship
With the ripe blossom of her lip;
All silent are her poppied vales
And all her long Arcadian dales,
Where idleness is gathered up
A magic draught in summer's cup.
Come, let us give ourselves to dreams
By lisping margins of her streams.

III
Adown the golden sunset way
The evening comes in wimple gray;
By burnished shore and silver lake
Cool winds of ministration wake;
O'er occidental meadows far
There shines the light of moon and star,
And sweet, low-tinkling music rings
About the lips of haunted springs.
In quietude of earth and air
'Tis meet we yield our souls to prayer.



Summer Wind by William Cullen Bryant

It is a sultry day; the sun has drank
The dew that lay upon the morning grass,
There is no rustling in the lofty elm
That canopies my dwelling, and its shade
Scarce cools me. All is silent, save the faint
And interrupted murmur of the bee,
Settling on the sick flowers, and then again
Instantly on the wing. The plants around
Feel the too potent fervors; the tall maize
Rolls up its long green leaves; the clover droops
Its tender foliage, and declines its blooms.
But far in the fierce sunshine tower the hills,
With all their growth of woods, silent and stern,
As if the scortching heat and dazzling light
Were but an element they loved. Bright clouds,
Motionless pillars of the brazen heaven;--
Their bases on the mountains--their white tops
Shining in the far ether--fire the air
With a reflected radiance, and make turn
The gazer's eye away. For me, I lie
Languidly in the shade, where the thick turf,
Yet virgin from the kisses of the sun,
Retains some freshness, and I woo the wind
That still delays its coming. Why so slow,
Gentle and voluble spirit of the air?
Oh, come and breathe upon the fainting earth
Coolness and life. Is it that in his caves
He hears me? See, on yonder woody ridge,
The pine is bending his proud top, and now,
Among the nearer groves, chesnut and oak
Are tossing their green boughs about. He comes!
Lo, where the grassy meadow runs in wives!
The deep distressful silence of the scene
Breaks up with mingling of unnumbered sounds
And universal motion. He is come,
Shaking a shower of blossoms from the shrubs,
And bearing on the fragrance; and he brings
Music of birds, and rustling of young boughs,
And soun of swaying branches, and the voice
Of distant waterfalls. All the green herbs
Are stirring in his breath; a thousand flowers,
By the road-side and the borders of the brook,
Nod gaily to each other; glossy leaves
Are twinkling in the sun, as if the dew
Were on them yet, and silver waters break
Into small waves and sparkle as he comes.



A Summer Afternoon by James Whitcomb Riley

A languid atmosphere, a lazy breeze,
With labored respiration, moves the wheat
From distant reaches, till the golden seas
Break in crisp whispers at my feet.

My book, neglected of an idle mind,
Hides for a moment from the eyes of men;
Or lightly opened by a critic wind,
Affrightedly reviews itself again.

Off through the haze that dances in the shine
The warm sun showers in the open glade,
The forest lies, a silhouette design
Dimmed through and through with shade.

A dreamy day; and tranquilly I lie
At anchor from all storms of mental strain;
With absent vision, gazing at the sky,
"Like one that hears it rain."

The Katydid, so boisterous last night,
Clinging, inverted, in uneasy poise,
Beneath a wheat-blade, has forgotten quite
If "Katy DID or DIDN'T" make a noise.

The twitter, sometimes, of a wayward bird
That checks the song abruptly at the sound,
And mildly, chiding echoes that have stirred,
Sink into silence, all the more profound.

And drowsily I hear the plaintive strain
Of some poor dove . . . Why, I can scarcely keep
My heavy eyelids--there it is again--
"Coo-coo!"--I mustn't--"Coo-coo!"--fall asleep!


--Cat

Robinson Jeffers

(Yes, I've featured him before, but he remains my favorite poet)

Robinson Jeffers 1937, photograph by Carl Van Vechten

John Robinson Jeffers (January 10, 1887–January 20, 1962)

Besides his evocative poetry depicting nature, raw and beautiful, and his home in Carmel, California, Jeffers wrote about his pacifist anti-war stance.


The Answer
by Robinson Jeffers

Then what is the answer?- Not to be deluded by dreams.
To know that great civilizations have broken down into violence,
and their tyrants come, many times before.
When open violence appears, to avoid it with honor or choose
the least ugly faction; these evils are essential.
To keep one's own integrity, be merciful and uncorrupted
and not wish for evil; and not be duped
By dreams of universal justice or happiness. These dreams will
not be fulfilled.
To know this, and know that however ugly the parts appear
the whole remains beautiful. A severed hand
Is an ugly thing and man dissevered from the earth and stars
and his history... for contemplation or in fact...
Often appears atrociously ugly. Integrity is wholeness,
the greatest beauty is
Organic wholeness, the wholeness of life and things, the divine beauty
of the universe. Love that, not man
Apart from that, or else you will share man's pitiful confusions,
or drown in despair when his days darken.



The Machine
by Robinson Jeffers

The little biplane that has the river-meadow for landing-field
And carries passengers brief rides,
Buzzed overhead on the tender blue above the orange of sundown.
Below it five troubled night-herons
Turned short over the shore from its course, four east, one northward.
Beyond them
Swam the new moon in amber.
I don't know why, but lately the forms of things appear to me with time
One of their visible dimensions.
The thread brightness of the bent moon appeared enormous, unnumbered
Ages of years; the night-herons
Their natural size, they have croaked over the shore in the hush at sundown
Much longer than human language
Has fumbled with the air: but the plane having no past but a certain future,
Insect in size as in form,
Was also accepted, all these forms of power placed without preference
In the grave arrangement of the evening.



The Eye
by Robinson Jeffers

The Atlantic is a stormy moat; and the Mediterranean,
The blue pool in the old garden,
More than five thousand years has drunk sacrifice
Of ships and blood, and shines in the sun; but here the Pacific--
Our ships, planes, wars are perfectly irrelevant.
Neither our present blood-feud with the brave dwarfs
Nor any future world-quarrel of westering
And eastering man, the bloody migrations, greed of power, clash of
faiths--
Is a speck of dust on the great scale-pan.
Here from this mountain shore, headland beyond stormy headland
plunging like dolphins through the blue sea-smoke
Into pale sea--look west at the hill of water: it is half the
planet:
this dome, this half-globe, this bulging
Eyeball of water, arched over to Asia,
Australia and white Antartica: those are the eyelids that never
close;
this is the staring unsleeping
Eye of the earth; and what it watches is not our wars.



Return
by Robinson Jeffers

A little too abstract, a little too wise,
It is time for us to kiss the earth again,
It is time to let the leaves rain from the skies,
Let the rich life run to the roots again.
I will go to the lovely Sur Rivers
And dip my arms in them up to the shoulders.
I will find my accounting where the alder leaf quivers
In the ocean wind over the river boulders.
I will touch things and things and no more thoughts,
That breed like mouthless May-flies darkening the sky,
The insect clouds that blind our passionate hawks
So that they cannot strike, hardly can fly.
Things are the hawk's food and noble is the mountain, Oh noble
Pico Blanco, steep sea-wave of marble.




End Of The World
by Robinson Jeffers

When I was young in school in Switzerland, about the time of the Boer War,
We used to take it for known that the human race
Would last the earth out, not dying till the planet died. I wrote a schoolboy poem
About the last man walking in stoic dignity along the dead shore
Of the last sea, alone, alone, alone, remembering all
His racial past. But now I don't think so. They'll die faceless in flocks,
And the earth flourish long after mankind is out.




Let Them Alone
by Robinson Jeffers

If God has been good enough to give you a poet
Then listen to him. But for God's sake let him alone until he is dead;
no prizes, no ceremony,
They kill the man. A poet is one who listens
To nature and his own heart; and if the noise of the world grows up
around him, and if he is tough enough,
He can shake off his enemies, but not his friends.
That is what withered Wordsworth and muffled Tennyson, and would have
killed Keats; that is what makes
Hemingway play the fool and Faulkner forget his art.



--Cat

April Poems

~Now that the month is coming to a close, I've finally gotten around to posting some April poems.


Over The Land Is April
by Robert Louis Stevenson (November 13, 1850 – December 3, 1894)

Over the land is April,
Over my heart a rose;
Over the high, brown mountain
The sound of singing goes.
Say, love, do you hear me,
Hear my sonnets ring?
Over the high, brown mountain,
Love, do you hear me sing?

By highway, love, and byway
The snows succeed the rose.
Over the high, brown mountain
The wind of winter blows.
Say, love, do you hear me,
Hear my sonnets ring?
Over the high, brown mountain
I sound the song of spring,
I throw the flowers of spring.
Do you hear the song of spring?
Hear you the songs of spring?



My April Lady
by Henry Van Dyke (November 10, 1852 - Ap­ril 10, 1933)

When down the stair at morning
The sunbeams round her float,
Sweet rivulets of laughter
Are bubbling in her throat;
The gladness of her greeting
Is gold without alloy;
And in the morning sunlight
I think her name is Joy.

When in the evening twilight
The quiet book-room lies,
We read the sad old ballads,
While from her hidden eyes
The tears are falling, falling,
That give her heart relief;
And in the evening twilight,
I think her name is Grief.

My little April lady,
Of sunshine and of showers,
She weaves the old spring magic,
And breaks my heart in flowers!
But when her moods are ended,
She nestles like a dove;
Then, by the pain and rapture,
I know her name is Love.



April's Charms
by William Henry Davies (July 3, 1871 – September 26, 1940)

When April scatters charms of primrose gold
Among the copper leaves in thickets old,
And singing skylarks from the meadows rise,
To twinkle like black stars in sunny skies;

When I can hear the small woodpecker ring
Time on a tree for all the birds that sing;
And hear the pleasant cuckoo, loud and long --
The simple bird that thinks two notes a song;

When I can hear the woodland brook, that could
Not drown a babe, with all his threatening mood;
Upon these banks the violets make their home,
And let a few small strawberry blossoms come:

When I go forth on such a pleasant day,
One breath outdoors takes all my cares away;
It goes like heavy smoke, when flames take hold
Of wood that's green and fill a grate with gold.



An April Night
by Lucy Maud Montgomery (November 30, 1874 – April 24, 1942)

The moon comes up o'er the deeps of the woods,
And the long, low dingles that hide in the hills,
Where the ancient beeches are moist with buds
Over the pools and the whimpering rills;

And with her the mists, like dryads that creep
From their oaks, or the spirits of pine-hid springs,
Who hold, while the eyes of the world are asleep,
With the wind on the hills their gay revellings.

Down on the marshlands with flicker and glow
Wanders Will-o'-the-Wisp through the night,
Seeking for witch-gold lost long ago
By the glimmer of goblin lantern-light.

The night is a sorceress, dusk-eyed and dear,
Akin to all eerie and elfin things,
Who weaves about us in meadow and mere
The spell of a hundred vanished Springs.



An April Day
by Henry Wadsworth Longfellow (February 27, 1807 – March 24, 1882)

When the warm sun, that brings
Seed-time and harvest, has returned again,
'T is sweet to visit the still wood, where springs
The first flower of the plain.

I love the season well,
When forest glades are teeming with bright forms,
Nor dark and many-folded clouds foretell
The coming-on of storms.

From the earth's loosened mould
The sapling draws its sustenance, and thrives;
Though stricken to the heart with winter's cold,
The drooping tree revives.

The softly-warbled song
Comes from the pleasant woods, and colored wings
Glance quick in the bright sun, that moves along
The forest openings.

When the bright sunset fills
The silver woods with light, the green slope throws
Its shadows in the hollows of the hills,
And wide the upland glows.

And when the eve is born,
In the blue lake the sky, o'er-reaching far,
Is hollowed out and the moon dips her horn,
And twinkles many a star.

Inverted in the tide
Stand the gray rocks, and trembling shadows throw,
And the fair trees look over, side by side,
And see themselves below.

Sweet April! many a thought
Is wedded unto thee, as hearts are wed;
Nor shall they fail, till, to its autumn brought,
Life's golden fruit is shed.



~And for the next month:

Song On May Morning
by John Milton (December 9, 1608 – November 8, 1674)

Now the bright morning Star, Day's harbinger,
Comes dancing from the East, and leads with her
The Flowery May, who from her green lap throws
The yellow Cowslip, and the pale Primrose.
Hail bounteous May that dost inspire
Mirth and youth, and warm desire,
Woods and Groves, are of thy dressing,
Hill and Dale, doth boast thy blessing.
Thus we salute thee with our early Song,
And welcome thee, and wish thee long.


--Cat

April 5 - Swinburne

Algernon Charles Swinburne April 5 1837 – April 10 1909

English poet, considered a decadent poet, for some of the sensational--at the time--subjects he wrote about, and for his years spent rebelliously indulging in drink and vice. (His controversial life may have been exaggerated, say some) He wasn't yet thirty when his first published works established him as England's premier poet, successor to Tennyson and Browning.

After recovering from a breakdown at age 42, a friend took him in and he lived a more sedate, even respectable life for the next thirty years.


Some Swinburne poems:

The Roundel

A roundel is wrought as a ring or a starbright sphere,
With craft of delight and with cunning of sound unsought,
That the heart of the hearer may smile if to pleasure his ear
A roundel is wrought.

Its jewel of music is carven of all or of aught—
Love, laughter, or mourning—remembrance of rapture or fear—
That fancy may fashion to hang in the ear of thought.

As a bird’s quick song runs round, and the hearts in us hear
Pause answer to pause, and again the same strain caught,
So moves the device whence, round as a pearl or tear,
A roundel is wrought.



At Sea

'Farewell and adieu' was the burden prevailing
Long since in the chant of a home-faring crew;
And the heart in us echoes, with laughing or wailing,
Farewell and adieu.

Each year that we live shall we sing it anew,
With a water untravelled before us for sailing
And a water behind us that wrecks may bestrew.

The stars of the past and the beacons are paling,
The heavens and the waters are hoarier of hue:
But the heart in us chants not an all unavailing
Farewell and adieu.



Sorrow

Sorrow, on wing through the world for ever,
Here and there for awhile would borrow
Rest, if rest might haply deliver
Sorrow.

One thought lies close in her heart gnawn thorough
With pain, a weed in a dried-up river,
A rust-red share in an empty furrow.

Hearts that strain at her chain would sever
The link where yesterday frets to-morrow:
All things pass in the world, but never
Sorrow.


A Ballad of Dreamland

I hid my heart in a nest of roses,
Out of the sun's way, hidden apart;
In a softer bed then the soft white snow's is,
Under the roses I hid my heart.
Why would it sleep not? why should it start,
When never a leaf of the rose-tree stirred?
What made sleep flutter his wings and part?
Only the song of a secret bird.

Lie still, I said, for the wind's wing closes,
And mild leaves muffle the keen sun's dart;
Lie still, for the wind on the warm seas dozes,
And the wind is unquieter yet than thou art.
Does a thought in thee still as a thorn's wound smart?
Does the fang still fret thee of hope deferred?
What bids the lips of thy sleep dispart?
Only the song of a secret bird.

The green land's name that a charm encloses,
It never was writ in the traveller's chart,
And sweet on its trees as the fruit that grows is,
It never was sold in the merchant's mart.
The swallows of dreams through its dim fields dart,
And sleep's are the tunes in its tree-tops heard;
No hound's note wakens the wildwood hart,
Only the song of a secret bird.


ENVOI

In the world of dreams I have chosen my part,
To sleep for a season and hear no word
Of true love's truth or of light love's art,
Only the song of a secret bird.


--Cat